Tag Archives: infrared

Utah road trip – Chapter 2

As promised, this is the second installment of images from our trip to Utah.  You can revisit chapter one at this link to see photos from Cedar Breaks and Brian Head Peak.  This time, I’ve included images from Bryce Canyon, Zion, Red Canyon, and the road to Capitol Reef.  At the end of the post are two photos MK made.  I don’t often include “behind the scenes” photos, but maybe you’ll like them as much as I do.

Agua Canyon HoodooAgua Canyon Hoodoo, Bryce Canyon National Park

The first four photos in this post are all stitched panoramas.  I found it very hard to fit Utah landscapes into a single frame!  I made the one above with a 200mm equivalent telephoto lens.  I wanted to show a lot of detail in the foreground hoodoo and bring the hazy background closer to make the hoodoo stand out.  I like the result.

Hoodoos watch the sun riseHoodoos watch the sun rise.  Black and white infrared panorama from our drive through Red Canyon on Route 12.

I brought my infrared converted camera on the trip and used it often.  It’s good to have when the visible light gets harsh, since the scene will often look different in IR.  In the composition above, the two almost human looking hoodoos on the top of the cliff drew my eye.  They seemed to be enjoying the sunrise too.  I also liked the way the IR light was hitting the trees and the cliff on the far left.

A switchback near Nepworth WashA switch back near Nepworth Wash, Zion National Park.  

The locals kept warning us about congestion in the parks and there were a lot of people at Zion.  But compared to Orlando we thought the traffic and crowds were pretty light – especially for a holiday weekend.  I composed the frame above to leave two buses and their people mostly out of view on the right.

Desert stormsDesert storms. This is a false color infrared panorama made along Route 12 between Grand Staircase Escalante National Monument and Capitol Reef National Park.  

The clouds and rain storms were awesome on the day we drove over to Escalante and Capitol Reef.  IR does well with clouds.  I like the way the ones above look almost three-dimensional.

And here are the two “behind the scenes” images:

Brian Head Peak
Ed and his Nikon (not too close to the edge!) at 11,307 feet on Brian Head Peak.  Photo by MK Rosack, used with permission
MK and Ed at Rainbow Point, Bryce Canyon
MK and Ed at Rainbow Point, Bryce Canyon – we weren’t very tired at this point in the morning – that came later.  Photo by MK Rosack, used with permission.

If you’re interested, you can see more photos from this trip in my Utah album on Flickr.  And you can click on the ones in the post to see larger versions.  I really enjoyed the tour and definitely want to go back and spend more time in this extremely scenic area.

Thanks for stopping by and reading my blog. Now, go make some photos!

©2016, Ed Rosack and MK Rosack. All rights reserved.

Flower in IR

Keith H. had his Olympus EM-5 MII camera converted to infrared, so one day after lunch we stopped by Central Winds Park in Winter Springs so he could test it.  I’ve had my IR E-PL5 for a while, but wanted to see how it worked with the Oly 50 – 140mm f/2.8 lens.

Flower in IRFlower in IR

This frame was at ISO 200, 150mm (300mm equivalent), f/5.6, 1/80 second.  It’s handheld, but I braced the camera and the winds were calm so the shutter speed was high enough to prevent motion blur.  And the long focal length and close focus makes the blurred background look very nice.  So I think this lens works well in IR.

The processing was comparatively straightforward.  I ran it through DxO Optics Pro for noise reduction and detail improvement.  The rest was in Lightroom:  Crop, exposure, contrast, clarity, to taste; spot removal for small specs of dirt on the flower; and then small doses of post-crop vignette and de-haze to get to an initial false color IR image.

As a last step, I tried something new.  Instead of converting to Black and White, I played around with the vibrance slider to partly desaturate the colors in the image.  This gave me the “pseudo B&W” you see above.  I like this rendering and I’m going to try it in the future for IR images.

If you have any questions about this, feel free to ask in the comments and I’ll do my best to answer.

Thanks for stopping by and reading my blog. Now – go make some photos!

©2016, Ed Rosack. All rights reserved.

Boundary Warp

There’s a new feature in the latest Creative Cloud versions of Lightroom and Camera Raw, and if you stitch together multi-frame panoramas like I tend to, then you should take a close look at it.

It shows up as a new slider called “Boundary Warp” in the “Merge to Panorama” dialog and it’s designed to help fix the empty areas along the edges of some stitched panoramas.  You can see an example in the first image below.

The Tarn - This is a three frame panorama from Acadia National Park that I'd never processed. I used it to test the new "Boundary Warp" feature
The Tarn – This is a three frame panorama from Acadia National Park that I’d never processed. I used it to test the new “Boundary Warp” feature

An easy way to fix this is to crop out the empty portions of the frame, like this:

The Tarn - This version has been cropped to eliminate the missing portions.
The Tarn – I cropped the missing portions out of this version.

But that throws away pixels that you may want to keep.  You can also try to fill in the empty areas with content aware fill or the clone stamp, but that often leaves some anomalies that take time to clean up.

Using the new function is easy.  It keeps all the pixels in the image and warps the edges to fill in empty areas.

The Tarn - I used Boundary Warp on this version to fill in the missing areas.
The Tarn – I used Boundary Warp on this version to fill in the missing areas.

I like the way it works. It’s better than cropping or trying to fill in missing portions with the clone stamp.  Try it – I think you’ll like it too.

Thanks for stopping by and reading my blog. Now – go make some photos and warp some boundaries!

©2016, Ed Rosack. All rights reserved.

Lake Apopka wildlife Drive

My friend Tom M. wanted to go out shooting last week and hadn’t ever been to the Lake Apopka Wildlife Drive. The drive itself is only open to cars from Friday through Sunday, so we met on Friday morning and went over.  It was raining when I got up and still cloudy on the way over, which made for interesting skies in my infrared photos.

Lake Apopka Pump HouseLake Apopka Pump House – 2 frame panorama, infrared, black and white.

We did have a bit of good light while we were there.  We saw this bird struggling to swallow a fish and stopped to watch for a few minutes.  It was on the side of a canal with the clouds reflecting in the water behind it and flowers blooming in front.  I stayed in the car so I wouldn’t bother it and shot a series of single frames while we watched.  This one was the best one of the series.

Nice catch! Nice catch! – an Anhiga tosses a fish it caught along a canal on the Lake Apopka Wildlife Drive.

On this trip, I brought my micro four thirds cameras.  I’ve used the system for about four years and they’ve worked very well.  The dynamic range and noise performance are not as good as larger sensor cameras, but it’s “good enough”.  And the noise is not an issue for me.  DxO Optics Pro does an outstanding job processing the RAW files.  The focusing capabilities have been fast for static subjects – but I’ve never been able to do very well with continuous focus.  Well, I recently traded up to a used Olympus E-M1, which has phase detect sensors built into the image sensor and it’s been doing a great job with continuous focus. So much so that even for birds in flight it’s working “good enough” too.  Here’s an example from Friday:

Checking me outChecking me out – A hawk in flight looking at the camera

You can view other photos I’ve made with the micro four thirds system in this album on Flickr.

Lake Apopka is an awesome place, I’ll definitely go back.  I’m collecting photos from there in this folder on Flickr, and you can also read an earlier article I wrote about it here on the blog.

Thanks for stopping by and reading my blog. Now – go make some photos!

©2016, Ed Rosack. All rights reserved.

Death Valley Addendum

Good morning, wonderful readers!  I hope you don’t mind a short post today with a few more photos from Death Valley.  The place made a big impression on me.  I hope to return  sometime in the future.

Desert rain waterDesert rain water – A different view of the post storm water in Death Valley. Some locations had 5 inches of rain on October 18th. The water here collected in small puddles.

Overbury Building ruinsOverbury Building ruins in the Rhyolite Ghost Town near Beatty, Nevada.  Black and White Infrared panorama.

Death Valley SundownDeath Valley Sundown – I like the sun rays and reflections from the wet mud below.

Mosaic Canyon MonochromeMosaic Canyon Monochrome – Rushing water carved these canyon walls, resulting in a variety of textures to explore.

Monochromatic testuresMonochromatic textures – Zabriskie Point in Death Valley is a wonderful place to photograph. The hills vary in color and with the changing light and clouds, it seems there are always new textures, shadows, and compositions to focus on (pun intended). I wanted to emphasize the textures, so I used Lightroom to convert this one to monochrome. For some reason, this was one of the first photos I made there and one of the last that I finished processing.

We’ve added even more photos from our Death Valley expedition in the albums at these links:

Thanks once again for stopping by and reading my blog.  Now – go make some photos!

©2015, Ed Rosack. All rights reserved.

Death Valley National Park, California

As you may have gathered from last week’s post, I got home on October 24th from a trip to Death Valley National Park.  Four of us from the Photography Interest Group (me, Tom M., Kevin M., and Kevin K.) were out there together, exploring this waterless wonderland on our longest, farthest group photo expedition yet.

When you think of the desert in the western US, you might imagine extreme heat and monochromatic scenes of empty barren land.  If so you probably haven’t been to Death Valley.  There is some empty barren land:

Badlands sunriseBadlands sunrise – This was my first visit to Death Valley and what I thought it would look like. 

And there are sand dunes and wind-blown textures:

Photographing Mesquite Flat DunesPhotographing Mesquite Flat Sand Dunes – A distant photographer lines up his shot.

But there are so many more things to experience there.

It’s the largest national park in the contiguous US at over 3.4 million acres.  The habitats are varied and the elevation ranges from 282 feet below sea level in Badwater Basin (the lowest point in North America) to more than 11,000 feet at the top of Telescope Peak.

Badwater panorama from Dantes ViewPanorama of Badwater from Dantes View, looking west toward Telescope Peak

Wait – did I say “waterless wonderland”?  When we arrived on October 18th, there was an epic rain storm in progress that caused flash flooding, road closures, downed power lines and other damage inside the park.  If you’re interested, I’ve posted a short video on YouTube that we made on our drive into Death Valley, showing the rain storms and some of the flooding we ran into.  And you can read this article on the National Parks Traveler webpage about the floods and damage.

Many of the places we wanted to see weren’t accessible while we were there.  The good news is that there were more than enough locations we could still get to, and the water created some rare views of the area.

Death Valley FloodsDeath Valley Reflections – Some locations had 5 inches of rain.  The following morning, we saw large pools of water west of route 190 and north of Furnace Creek.  It was a long walk (~1.5 miles from the road) to get close, and at times I wondered whether it was a mirage.  I’m guessing it’s rare to see the mountains and clouds reflected in standing water at this spot.

And are there any waterfalls in the desert?  You wouldn’t think so, right?  We decided to find out one day and after a long drive, hike, and rock scramble through a gorgeous canyon, we arrived at Darwin Falls, which seems like a miracle in the middle of such arid country.

Darwin FallsDarwin Falls – This desert waterfall in Death Valley had about a 40 foot drop. It’s spring fed and  flows year round, although the rains may have added some water while we were there.

There’s a lot of history in Death Valley too.  The Native American Timbisha tribe have lived in the valley for at least 1000 years.  Gold and silver mining started in the 1850s and Borax was discovered in the 1880s.  There are also several ghost towns to explore in the park and the surrounding areas.

20 Mule Team Wagon Train20 Mule Team Wagon Train – Used in 1885 to haul Borax From Death Valley to Mojave.
Borax Museum, Furnace Creek, California

Landscapes and scenery aren’t the only things to see.  There’s very little light pollution in the area.  The milky way is easily seen and we viewed an active Orionid Meteor shower on the morning of 21 October.

There’s also a surprising amount of wildlife.  While hiking back from the Mesquite Flat Dunes we spotted some motion ahead that turned out to be my first sighting ever of a fox in the wild.

Fox at Mesquite DunesKit Fox at Mesquite Dunes – We saw it from a distance. At first I thought it was a coyote, but Eric Vanbergen on Flickr suggested it might be a Kit Fox. Judging by the info on Wikipedia, he’s right.  I made the photo handheld (with my tripod still attached!) using a 24-120mm lens that I was using for landscapes. This is a small crop from the frame. It was nice of the Fox to stop, stand in the light, and look at the camera for me – but it should have come closer!

We also saw several of these, curiously along or as they crossed the road.  They’re large enough (~3 inches across) to spot as you drive by.

Classic Death ValleyClassic Death Valley (Photo by Kevin McKinney – used with permission) – We saw several Tarantulas while we were there.

And birds:  The National Park Service official bird list has hundreds of species that frequent Death Valley.  On this page they have some info on where to look and migration patterns.  Kevin M. also had a good time birding in places around and on the way to the park.

Here’s one last photo.  We’d been searching for a Road Runner all week but hadn’t seen any.  On the last afternoon we finally sighted this one as we drove by the visitor’s center. Of course, none of us had our camera gear – thank goodness for iPhones!

Greater Roadrunner, running“Beep Beep” – A Roadrunner outside the Visitor Center at Furnace Creek. I think this is the one the rangers have nick-named “Robbie”. It’s very tolerant of humans and went about catching and eating bugs while we watched.  

You can view many more photos from our trip at these links:

This is really more of trip report than a review or guide.  With so little time on site, I’m not qualified to give you much specific advice on photographing Death Valley.  But here is some info I found very useful:

Thanks for stopping by and reading my blog. We are really blessed in the US with all our national parks.  Now – visit one and make some photos!

©2015, Ed Rosack. All rights reserved.

Photographing Florida Weather

Florida has wonderful weather photography opportunities.  They’re not often the kind that you see from tornado alley out west.  But the clouds here are awesome too.

Lynn and I traveled recently (New Jersey, Virginia, and Georgia).  I realized when going through those photos that they lacked dramatic skies like we often see here in Central Florida.  Maybe our timing was just bad.  Anyway, it inspired me to put together this post with some examples of our weather along with a few hints.

We’d had several days of rain last August and even though afternoon light isn’t usually the best for photography, I decided to drive over to Merritt Island National Wildlife Refuge and see if I could capture some of the weather drama.  This one is from the south-east side of the causeway.  There was a slight drizzle where I was standing and rain drops ruined several frames. This one must have been right after I cleaned the lens.

Weather over the WaterWeather over the Water (24mm focal length)

And this one was that same day, looking south along the back side of  Black Point Wildlife Drive.

Storm AheadStorm Ahead (stitched panorama, nine frames at 24mm focal length).

This next photo is from September of 2012, also at Black Point Wildlife Drive.  These clouds actually stopped me in my tracks and made me shift out of bird photography mode to make this B&W, IR image.  You can see a color version of this here.

A little stormyA little stormy (stitched panorama, three frames at 24mm eq. focal length).

These next two have been on the blog before, but they also illustrate my point:  Clouds and storms in Central Florida are photogenic!

Stormy ShoreStormy Shore:  Storm clouds blow through north of our hotel on Casey Key, Florida.  June 15, 2015 (stitched panorama, eight frames at 24mm eq. focal length).

And this last photo is from way back in October 2007.  I put it in to honor our fading Lake Jesup sunflower season.

Lakes Jesup Wildflowers and RainstormLakes Jesup Wildflowers and Rainstorm (105mm eq. focal length).

We don’t have mountains here in Central Florida.  And we don’t have very good waterfalls either.  But our clouds are just as good as anywhere else.  How are they where you are?

Photo hints:

  • Although you can see interesting weather all year, the best time here is summer afternoons and evenings.
  • The storms are big.  As you can see from the captions, many times I find myself using a wide-angle lens or stitching panoramas for this kind of photography, although some situations (like the last image) benefit from a longer focal length.
  • You can shoot from your car in many cases or just dodge the showers.  Do bring a lens cloth and maybe a towel or some plastic to cover  your camera if it’s not weather resistant.
  • Be careful with your exposures.  If you have clear sky behind the clouds you can easily blow out highlights in the image which will be tough to fix in post.
  • When processing your photos, try using some mid-range contrast / clarity to bring out details in the clouds.  Don’t go too far though or your results will look unrealistic.
  • Find yourself some good foreground locations so you’ll be ready to head out when the weather gets interesting.
  • And be careful – don’t get struck by lightning or ruin your equipment!

If you click on the photos above, you can see larger versions on Flickr and I also collected  other Florida Cloud and Storm photos that you can browse in this set on Flickr.

Thanks for stopping by and reading my blog. Now – go make some cloudy photos!

©2015, Ed Rosack. All rights reserved.

A short trip to St. Joseph Peninsula State Park

Florida is blessed with a terrific State Park system.  According to Wikipedia, we have 161 locations in our state.

Lynn found a new one (to us, at least) online and mentioned how nice the cabins looked.  St. Joseph Peninsula State Park is up in the panhandle, bordered by the Gulf of Mexico on one side, and St. Joseph Bay on the other.  They only have eight cabins and are usually fully booked – but cabin #4 was available for a single day, so we decided to drive up and see what it’s like.  Although it was a brief trip, it was a wonderful opportunity to explore a part of Florida that we don’t often get to.

On the way, we stopped in Perry, Florida for some great seafood and then went by the St. Marks National Wildlife Refuge where I made a few photos.  I’d love to visit there more extensively.  I wish we lived closer.

Marsh land viewMarsh land – View from the observation tower next to the St. Marks Lighthouse.  IR, B&W, panorama

It’s no wonder that the St. Joseph Peninsula State Park cabins are usually booked.  They’re fairly new, well-kept, fully furnished and ideally located – especially if you like the sun and water.  It’s one of the top rated beaches in the US and swimming, snorkeling, kayaking, boating, fishing, hiking, and even scalloping are all very close by.

Blazing CloudsBlazing Clouds – the morning, bay side view from cabin #4

We took a late afternoon walk along the bay shore.  The photographic glory was somewhat dampened by aggressive horse flies — we should have used insect repellent!  But I thought the clouds and driftwood were remarkably attractive.  This is the last of five photos I made on the walk.  You can see the complete sequence in this album on Flickr.

St. Joseph Bay stroll 5 of 5 St. Joseph Bay stroll (5 of 5).  IR, B&W, panorama

Alas, we had to leave after a single night – much too short a stay to do the area justice. Maybe another time we can get a longer reservation.

On the drive back, we stopped for coffee in Apalachicola and stumbled on this. I love old boats and this one is about as rundown as I’ve ever seen.  Another place that needs a longer look.

Welcome to the VenezellosWelcome to the Venezellos.  Panorama

If you get a chance, I highly recommend you check out the area.  Seafood, sun, sights, water – what more could you ask for?  Oh yes – perhaps a vacancy or two.

Thanks for stopping by and reading my blog. Now – go make some photos!

©2015, Ed Rosack. All rights reserved.

Around Central Florida

Here are three photos from last week that I made in and around Central Florida. First up is the Cocoa Waterfront.  I liked the early morning look of the clouds and water at River Front Park.

Calm morning on the riverfrontCalm morning on the riverfront. (Two frame vertical panorama, Infrared, B&W, 34mm eq. fl, 1/40 sec @f/5.6, ISO 200)

The morning light was also nice at Viera Wetlands, and this American Bittern posed for us in the reeds.  I’ve been lucky enough to see them there several times over the years. I’m sure they’re in spots like Merritt Island National Wildlife Refuge too, but I’ve never spotted one there.

American BitternAmerican Bittern.  (600mm, f/8, 1/640 sec, ISO 320)

Orlando Wetlands Park opened again February 1st.  It’s one of my favorite places for sunrise.  Our walk on Friday morning  was brisk and breezy, but I like the wind’s effect on the water in this photo.

Wee hour winds whisk water and reeds in the wetlandsWee hour winds whisk water and reeds in the wetlands.  (Two frame vertical panorama; 120mm; I shot the bottom frame at f/22 and ISO 50 to extend the shutter speed to 8 seconds and maximize depth of field.  I made the upper frame at f/8, .5 sec, ISO 100 to maximize sharpness)

So that’s some of what I photographed last week.  What did you shoot?  Thanks for stopping by and reading my blog. Now – go make some photos!

©2015, Ed Rosack. All rights reserved.

Chasing light

So I went to two different places last week.  Kevin M. took me to the Lake Apopka Restoration Area to look for the Groove Billed Ani that’s been hanging around.  I’d never been there and was glad he invited me, not only for a chance at a life bird, but also to scout the area.  I’ve also driven around Lake Lawsona in downtown Orlando and thought there might be some photos lurking there, but couldn’t find any place to park.  Then I discovered that Mayor Carl T. Langford Park isn’t far away so I left my car there and walked over.

To make a long (and photographically humbling) story short, I photographed both places, but didn’t like any of the images enough to post.  And we didn’t see the Ani either.

I did chase the light – I just didn’t catch it.

Since I’m a little stuck for material this week,  I went back into my archives and found a four photo panorama that I’d never processed from a trip to Tampa in 2013.  After stitching it together, I like the light in this image well enough.

Looking north toward Piney Point from Fred Howard Park in TampaLooking north toward Piney Point from Fred Howard Park in Tampa, August 2013

 Like any creative activity, photography is difficult at times.  I struggled last week, but I try not to get discouraged – this happens to everyone.  I keep trying and enjoy the effort.  As Florida Nature Photographer John Moran says in his book Journal of Light:

“Nature photography isn’t always about the picture, it’s about the experience of just being there, chasing the light, alive and awake and aware.”

Thanks for stopping by and reading my blog. Now – go chase the light!
©2013 and 2015, Ed Rosack. All rights reserved.