Tag Archives: landscape

Old Car City

Okay, I know the name of the blog is “Central Florida Photo Ops” and I usually write about landscape and wildlife photography.  But Old Car City (http://oldcarcityusa.com/) is a very cool place and I have a scouting report and some photos to show you!

Photographers ParadisePhotographers Paradise

Old Car City calls itself a “Photographer’s Paradise”, and the “worlds largest known classic car junkyard”.  It’s hard to disagree.  It began as a general store in 1931 in White, Georgia.  Over the years it evolved into a forested refuge for 4000+ cars, most more than 35 years old.  Located about an hour from downtown Atlanta, it covers 34 acres with 6 1/2 miles of trails to explore.

The cars stay where they were originally placed.  Some are piled high.  Others rest alone or lined up.  Many are overgrown with vines and some even have trees growing right through them.  Admission is $25 (only $15 if you don’t photograph).  We spent 3 – 4 hours there and I was exhausted before the photo ops were.

Impala convertible - and treeImpala convertible – and tree

Walking through can be surreal – especially in infra-red.

Old Car City IROld Car City IR Pano

Photography here can be challenging in several ways.  I carried my tripod all around the place and the local cat kept showing up and rubbing up against it – not helpful!

Junkyard cat and VWJunkyard cat and matching VW van. It followed us around and liked to rub up against tripods. Not good, cat!

This isn’t a traditional salvage yard – no parts are sold.  It’s more of a museum, although there’s no effort to preserve exhibits.  The cars were saved from the crushing machine, but not from nature.

You can find much more than just old cars and car parts. There are school buses, and tractors, antique toys, wagons, bicycles, and more.  I even read there’s a Cartersville Grand Theater marquis, but I didn’t see it on my visit.

Doll and chairDoll and chair – You can find more than old cars at Old Car City. This was right next to the path – yet it looks like no one’s disturbed it in years.

Safety:  You’ll have to sign in when you pay admission, but there’s no lengthy rights waiver  and a lawyer doesn’t follow you around.  The place could be dangerous though – there’s broken glass, rusty metal and some sharp edges.  Just be careful, not stupid.  Heed the warning signs, stay on cleared paths and off / out of the cars and you should be fine.  Oh, and some insect repellent might come in handy.

Don't open hoods doorsDon’t open hoods doors

My tripod was helpful mostly for Olympus hi-res images – but if you’re not making those I think you can get by without one.  I used focal lengths from fish eye up to about 200mm equivalent and I’d say your wider lenses would be the most useful.

The number of photo ops in this place is huge.  If you go, my best advice is to do a little research before hand and plan out a strategy or two.  Get some larger framed intro shots, but think about concentrating on one or a few categories:  hood ornaments, door handles, dashboards, interiors, decay, rust, textures, vegetation on vehicles, etc., etc.  The possibilities are huge.

Click on these photos to see them larger on Flickr,  and I have more images from Old Car City collected in his album.  You can also look through many more photos from there via the Flickr “Old Car City” search page results.  And you can find out more on the Old Car City web page.  Here are a couple more links with info:

If you get a chance, go by Old Car City.

Thanks for stopping by and reading my blog. Now – go make some photos!

©2018, Ed Rosack. All rights reserved

Another Central Florida Morning

I decided to wander over towards Merritt Island National Wildlife Refuge early last Friday.  My shutter finger was itching and I had to get a camera out and scratch it.  I was running a little late and wouldn’t have made it to the coast for sunrise, so I stopped at C S Lee Park on the St. Johns River on my way.  Nature provided quite a show.

Another Central Florida MorningAnother Central Florida Morning

I don’t know what this effect is called –  when the sun just kisses the cloud bottoms and leaves  higher clouds darker and less colorful.  I don’t see it often enough.  Maybe that’s because it only lasts for such a short time.  According to my EXIF data, I made this image in the middle of a 2-3 minute window and the colorful streaks were much less prominent just before and after.  Whenever I do see this, I’m happy to make a photo!

The Jolly Gator Fish Camp Bar & Grill is next to the park, right across a shallow water filled area from where I made the sunrise photo.  I liked the reflection and symmetry and made this image before I moved on.  I’ve never actually been inside this place.  Maybe I’ll talk Lynn into going there for lunch with me.

Jolly Gator Fish Camp & GrillJolly Gator Fish Camp & Grill

MINWR has a web page you can check for road closures.  Currently, it won’t do you much good –  info on Gator Creek, Biolab, and Black Point is all out of date.  Last Friday, Gator Creek and Biolab Roads were open.  They’ve been re-surfaced and are in good shape.  And Black Point Wildlife Drive was closed due to the amount of rain we’ve had recently.  I hope they keep the road closures page more current.  I sent them a note.

I didn’t have much luck with birds or wildlife on this trip.  So I’ll leave you with two more scenic photos.

Lone Pine and Clouds at DawnLone Pine and Clouds at Dawn (color version)

This tree is along the left side of the road leading into the Bairs Cove boat ramp.  The combination of early morning light, a lone pine tree, and the clouds in the background stopped me in my tracks.  I made this image and the last one out my car window.  Fortunately there wasn’t a lot of traffic.  With these two photos, you can see how the infra-red sensor renders light compared to an unmodified camera.

Lone Pine and Clouds at DawnLone Pine and Clouds at Dawn (IR, B&W version)

I’ve collected other photos from the St. Johns River in this album on Flickr and from Merritt Island in this one.

Thanks for stopping by and reading my blog. Now – go make some photos!

©2018, Ed Rosack. All rights reserved

Grand vista or Up-close and Intimate?

Last week I mentioned that we spent time photographing Amicalola Falls during the Focus on Atlanta Workshop.  I was also there in 2014  and when I got home, I was curious to compare images from the two visits.  That led to some observations and questions.

This first photo is from 2014.  I reprocessed it, mainly to correct some blown highlights in the water.  First observation:  Blown highlights bother me a lot more today than they did back then.

I made this from the foot bridge near the top of the falls.  Second observation:  It’s quite a hike, especially with a load of heavy camera gear.  But it’s well worth it for the wonderful view!  With a wide enough lens, you can try to show the grand scale and sweeping power of the falls.

Amicalola FallsAmicalola Falls – The grand view from the footbridge near the top.  Nikon D800, ISO 50, 16mm, f/22 @ 1/3 sec.

I really like this photo, and I’m glad I made it.  Third observation:  Four years later, I think that it was a bit too easy.  Probably everyone that visits these falls will try for an image that looks like this.

The next three images are from 2018.  I must have been anxious to get the grand view photo in 2014 and hiked right by these locations – I don’t recall noticing them.  On this  recent visit, Mike Boening pointed out several spots along the trail and I stopped at a few and set up for more intimate photos.

Light in the creekLight in the creek. Olympus OM-D M II, Hi-res mode, ISO 200, 28mm eq., f/8 @ 1 sec.

On the way back down, the last spot I stopped at was only a few yards from the parking area!

FlowFlow. Olympus OM-D M II, Hi-res mode, ISO 200, 40mm eq., f/8 @ 1.2 sec.

I like the grand view image I made in 2014, but I think I like these 2018 images even more.  There are probably quite a few photos of Amicalola similar to my first one.  I suspect that images like the second and third are much less common since the number of possible viewpoints and compositions is so much greater.

Sometimes, only one approach will work for a subject or your style of photography.  On the drive up to the falls, we stopped at an overlook and I was fascinated by the fog / mist and low clouds moving through the valley.  I was able to poke the small lens on my iPhone through the chain link fence to grab this frame.  At the time, I didn’t think about an intimate detail type of composition there.

Foggy mountain viewFoggy mountain view

But that’s just me.  I saw a photo later that showed Mike making an image of some graffiti on the road.  Last observation: Graffiti isn’t something I normally photograph and I didn’t even pay attention to it at the time. Our usual photo styles can limit the potential images we see.

So what’s the moral of this story?  Should we make grand scenic view images or intimate, up-close photos of the details?  You know what I’m going to say , don’t you?  “It depends”.

Actually, I’m going to say:  It depends, but try hard to get both.  You’ll grow as a photographer if you can teach your brain to see both ends of this spectrum.  Shoot whichever you prefer first, but force yourself to look for the other compositions before you leave a spot.

As always, click on these images to see a larger version on Flickr.  And you can see other photos from the workshop in this album and other photos from Georgia in this one.

Thanks for stopping by and reading my blog. Now – go make some grand, and some detailed photos!

©2014 and 2018, Ed Rosack. All rights reserved

Looking for Landscapes at Loughman Lake

The sky wasn’t very promising on our way over to Merritt Island National Wildlife Refuge last week.  There were no clouds and we didn’t think the morning color would be any good.  Since it didn’t seem like we had a lot to lose, we decided to try a new sunrise spot:  Loughman Lake, on the south side of SR 46 just west of Mims.

Misty PalmsMisty Palms.  Olympus High Res mode, converted to B&W. ISO 200, 3.2 sec. @ f/6.3, 200 mm eq. (cropped to ~250mm eq.).  6:16 am.

We were right – at first.  There was hardly any color and I ended up converting this first image to black and white.  But there was some photogenic fog and around 15 minutes later, the color arrived along with a few clouds on the horizon.

Misty DawnMisty Dawn.  Olympus High Res mode, two frame stitched panorama.  ISO 200, 1/6 sec. @ f/6.3, 150 mm eq. 6:28 am

The images in this post are in time order and I’ve added exposure, focal length, and timing  info for you.  It turns out that I made all of these with a relatively long lens – unusual for my landscape photography.  I’m sure that there are some great wide-angle compositions there, but the shorter focal length photos I made that day aren’t as interesting to me as these.   I’m glad I brought the very versatile Olympus 12-100 f/4 zoom.

Morning Glory.  Olympus High Res mode, two frame stitched panorama. ISO 200, 1/80 sec. @ f/8, 200mm eq. 6:37 am

Here’s one more image.  I like the Great Blue Heron “statue” out in the water.

Misty morning marshMisty morning marsh. Olympus High Res mode.  ISO 200, 3.2 sec. @ f/6.3, 200mm eq. 6:45 am

 Loughman Lake turns out to be a good place to stop on the way over to MINWR.  But make sure you bring a longer lens!

As always, you can click on these photos to see larger versions.  And I have many sunrise and sunset landscape photos collected in this album on Flickr:  https://www.flickr.com/photos/edrosack/albums/72157624939669770.

Thanks for stopping by and reading my blog. Now – go make some photos!

©2018, Ed Rosack. All rights reserved

Urban Ospreys

Sometimes you can get amazing photos of wild birds inside Florida cities.  Winter Park (and other places too)  put up  nest boxes around town to attract birds.  Ospreys typically  use them in the spring to raise their young.

Urban Ospreys 3Urban Ospreys 3

I met Kathy B. (www.flickr.com/photos/kbargar/) through the Orlando Camera Club and we’ve run across each other on photo shoots.  I saw her photos of this nest on Flickr and when I commented on how nice they were she was kind enough to share the location with me.

Urban Ospreys 1Urban Ospreys 1 – The young one’s stretching it’s wings. Mom looks a little wary – like she’s making sure she doesn’t get knocked out of the nest!

If you’re close enough to zoom in and fill the frame, and you can pick a vantage point that has foliage in the background – you can get some swell, natural looking photos of wild birds.  There’s no way to tell from these first two that the nest is located downtown.  Here’s a wider shot: The nest is on top of a utility pole and 40 – 50 feet away from the upper floor of a very convenient parking garage.

Osprey nest box in downtown Winter Park

I wrote about this once before back in 2011 (https://edrosack.com/2011/06/12/ballpark-ospreys/) but I think it’s worth pointing out again.  Be on the lookout!

When I first arrived, the chick was asleep and hidden, so I went to the other side of the garage and made this photo while I waited for it to wake up.

The track through Winter ParkThe track through Winter Park

And this crow was checking me out while I waited too.  I think it was expecting a handout.

Close CrowClose Crow

Anyway, I’m glad this didn’t turn into another “empty nest syndrome” like our expedition a couple of weeks ago.  And by the way, Tom M. checked and the eagles were back in that nest the week after we went, so they must have just been away while we were there.

I really like my close up photos.  I think they’re the best ones I’ve gotten of nesting Ospreys.

Thanks for stopping by the blog. Now – go make some photos!

©2018, Ed Rosack. All rights reserved

Walking the Wetlands

Orlando Wetlands Park is beautiful and a wonderful place to amble through nature.   Here are a few things I noticed there last week.

DawnDawn in a calm, peaceful, and pretty place

I used the Olympus Hi-Res mode for this next photo.  I’m glad since it let me crop in on the knees, tangled roots, and reflections at the base of this stand of Cypress.

Far shore CypressFar shore Cypress

I end up photographing thistle plants a lot.  In this case I liked the way the morning light was just highlighting it from the left.

Early light on a ThistleEarly light on a Thistle

Do you remember “planking”?  If not, see: http://knowyourmeme.com/memes/planking.  This turtle was illustrating the concept.

Turtle "planking"Turtle “planking”?

I spotted this large fish (~2 1/2 feet long) resting near the shore.  My long lens was stowed in my backpack and I knew it wouldn’t stay there long, so I quickly made a photo with my IR camera.  If you click through to the larger version on Flickr, you can better see the small minnows swimming nearby.

FishLarge Fish

Dragonflies are out and about.  This is the first time I’ve noticed them this year.

Four-spotted Pennant(?)Four-spotted Pennant(?)

And finally, here’s a photo of my walking companion.  This bird joined me for a bit on my stroll around the park.

Strolling LimpkinStrolling Limpkin

The park offers free Tram Tours on weekends – check their site for details.  I much prefer to walk so  I can pause and photograph any time I want and get a little exercise too.

Thanks for stopping by the blog. Now – go make some photos!

©2018, Ed Rosack. All rights reserved

Empty Nest Syndrome

No, not this one:  https://en.wikipedia.org/wiki/Empty_nest_syndrome

Kevin K., Tom M. and I met at the Sanford Marina on Friday  before dawn.  The plan was to make a few sunrise photos and then go photograph a nearby eagle’s nest.

I like this long exposure:

Blue hour at the marinaBlue hour at the marina.  Olympus Hi-res mode, 13s, f/5.6, ISO 250, @ 24mm eq. focal length (no tripod).

Confession time again.  Since I didn’t need a tripod at Mead Gardens last week, I’d removed the L-plate on my E-M1 MII camera before that trip.  Unfortunately, I forgot to re-attach it.  So I had to improvise and try some different techniques on this trip.  The image above was made with my camera resting on the dock.

This next image was made handheld.  By opening my aperture and upping the ISO, I got my shutter speed up to 1.3 seconds.  And the image stabilization in the camera was good enough for a tack sharp photo with those settings.  Going by the old 1/focal length rule, I should have shot this at 1/24th second.  The IS gave me about 5 stops of stabilization!

Half Staff at dawnHalf Staff at dawn.  The flags at Sanford’s Veterans Memorial Park were at Half staff in honor of former First Lady Barbara Bush.  Two frame vertical panorama, 1.3s, f/4.0, ISO 400, @ 24mm eq. focal length (hand held).

I made this last image with my IR camera – this time from a tripod since I did have the L-bracket on this body.

Marina morningMarina morning.  Infrared, monochrome conversion, Olympus hi-res mode, 6.0s, f/5.0, ISO 200, @ 28mm eq. focal length (tripod).

So what’s the title of this post all about? Well, we wanted to photograph a pair of eagles nesting on the railroad bridge that crosses the St. Johns river by Sanford. It looked like we could get an eye level view from the road nearby. But when we got over there we found the nest, but there were no eagles in sight. I’m not sure if they were just away for a bit or if they’ve abandoned the nest.  Anyway, we couldn’t spot them.  I might try driving by again next week and if I do, I’ll let you know.

Thanks for stopping by and reading my blog. Now – go make some photos!  But check your gear before you leave, improvise if you have to, and when you’re photographically frustrated, try again another day!

©2018, Ed Rosack. All rights reserved

Infrared evolutions

This is a long article about Infrared (IR) image processing.  If you don’t process IR photos, feel free to just look at the photos!  And please take a look at the new Infrared Gallery I added under the Galleries / Portfolio menu at the top.

You probably know I like IR photography. I’ve written about it before (click here to review my posts) and I often include IR photos in this blog. Here’s a recent example:

Circle B Bar Infrared 1Circle B Bar Infrared 1 (four frame vertical panorama)

Infrared’s an interesting medium.

  • IR captures invisible light:  a portion of the spectrum that’s different from what your eyes can see.
  • The spectral response makes blue sky look dark and foliage bright.  This reverses a normal daylight scene’s brightness values.  It helps tame contrast and allows you to shoot even when the sun is high in the sky.
  • Since your eyes can’t see infrared, your interpretation of the alternate reality is up to you.   You can process IR in Monochrome or as a false color image.
  • IR can sometimes capture details that aren’t seen with visible light.
  • If you use a modified digital camera, you may see improved detail in your photos. The conversion process removes the IR blocking / anti-aliasing filter.  In many digital cameras this slightly blurs the image during capture to lessen Moire and other aliasing artifacts.
  • I’m not really qualified to discuss shooting IR film – I’ve only done it a few times.  But I will say that modifying a mirrorless digital camera is a great way to approach infrared.  The mirrorless design eliminates any issues with IR focus.  The camera’s built-in exposure meter works well and values are close to the normal visible light ones, so you can hand hold in daylight conditions.

Another example:

Circle B Bar Infrared 3Circle B Bar Infrared 3 (three frame vertical panorama)

By the way, all of the images in this post are from from an early March trip to the Circle B Bar Reserve.  I’m really glad I carried my IR camera on our hike!  Here’s another:

Eight Cedar Waxwings

Eight Cedar Waxwings – I forgot to bring the spare battery for my main camera and ran out of charge. So I switched my long lens to my IR modified body and kept shooting.

So what’s the point of this post?  I’ve been struggling lately with how I process my IR images.  The work flow I’ve been using seems to result in too much contrast / clarity.  I just felt that the results looked a bit “digital”.  So I’ve been searching for new methods and I’ve found one that I like.  I’ve used it on all these photos and I feel that they look much more “organic” and much less “digital”.  What do you think?

Five nest CypressFive nest Cypress (five frame vertical panorama)

Here is my updated workflow:

  • Capture the RAW images with a modified micro 4/3 mirrorless camera.  Aperture priority, mostly handheld (although I do occasionally use a tripod).
  • Import into Lightroom to save the master files.  Then decide which ones are worth processing and discard the seconds / rejects.
  • Batch process the “selects” through DxO Optics Pro to take advantage of its noise and camera / lens module processing.  This step returns copies back to Lightroom in Adobe DNG RAW format.
  • In Lightroom, apply a custom camera profile to optimize the white balance (see this article for how to create one).  And if it’s a multi-frame image, stitch it together with Lightroom’s merge to panorama function.
  • Sometimes, you can use Lightroom’s B&W conversion and finish an image.  But I’ll open ones I really like in Photoshop.
  • There, straighten and crop, use the content aware fill, and clone if needed.
  • And here’s the new step in my workflow:  I’ve been using Skylum Software’s Luminar for IR B&W conversions. I found a very nice starting point for IR processing here: Laurie Klein’s Infrared Mastery presets.
  • Finally, it’s back to Lightroom for any final adjustments (tone curve, sharpening, vignette, grain, etc.).

Circle B Bar Infrared 6Circle B Bar Infrared 6 (five frame horizontal panorama)

Could I achieve this look some other way?  Maybe even with a lot fewer steps?  Yes, I’m sure it could be done.

Circle B Bar Infrared 2Circle B Bar Infrared 2 (three frame horizontal panorama)

Just a few years ago, we only had Adobe Photoshop and then Lightroom to process RAW images.  One of the great things about photography and image processing today is that there are so many ways to do things.  That’s also bad, because it takes a lot of effort to study all the options and find out which ones work best.   It seems like each program has strengths and weaknesses.

Software is changing every day, but I don’t know if there will ever be a single image processing program that does every thing I want.  For now, I’m happy with the results I’m getting using this somewhat complex workflow.  That doesn’t mean I’ll stop looking for new or simpler ways to do things.

If you have time, please take a minute to look through the new IR gallery.  I think it represents some of my best IR images.  I also have a Flickr album with many more IR photos at this link:  https://www.flickr.com/photos/edrosack/albums/72157628062119778.

If you’ve read this far, thank you!  That probably means you’re very interested in IR.  If you have any questions about this, let me know in the comments and I’ll try to answer.

Thanks for stopping by and reading my blog. Now – go make some IR photos!

©2018, Ed Rosack. All rights reserved

 

Orlando Wetlands Park – the rest of the story

Well, Happy Easter, happy April Fools Day, and happy Chinese Space Station Crashing to Earth Day!  Instead of writing about any of that, I have some photos from an early March visit to Orlando Wetlands Park that I want to share.

I had the place to myself when I arrived that morning.  It was fun to wander around and look for compositions even though the sunrise colors weren’t that good. I made this dawn landscape looking North over Lake Searcy.  It was dead calm and the water was a perfect mirror.

Very calmVery calm

Spoonbill numbers seem to be increasing around Central Florida.  I’ve spotted them recently at Merritt Island National Wildlife Refuge and Circle B Bar Reserve, and they’ve been very plentiful at Orlando Wetlands too.  They’re a bit rare in ordinary life so I always enjoy seeing them.

Low passLow pass

This back-lit flock landing in the early light was lovely.

Landing SpoonbillsLanding Spoonbills

I don’t feature Coots in the blog very often, but I enjoyed watching this group.  They often race across the surface of the water and squabble over who gets the best spots.  These two seemed to be competing.

Front row seats at the coot raceFront row seats at the Coot race

Spring is a great time of year to get out and explore nature in Central Florida. There’s a lot going on and the variety of birds is especially good.  You can see all my posts about Orlando Wetlands at this link:  https://edrosack.com/category/orlando-wetlands/

And you can view more images from there in this album on Flickr:  https://www.flickr.com/photos/edrosack/albums/72157639616792296

Thanks for stopping by and reading my blog. Now – go make some photos!

©2018, Ed Rosack. All rights reserved

Some Recent Photos

I haven’t been on a photo expedition recently, so this week I’ll cheat a bit and show some images that haven’t been on the blog before.

Orlando WetlandsOrlando Wetlands Park, October 2017. Olympus hi-res, two frame panorama converted to B&W.  I don’t convert sunrise photos to B&W very often, but the light in this one is pretty.

Space View ParkSpace View Park, February 2018. An alternate view to the one posted back then.  Looking east at dawn. You can see the hurricane damage to the dock that hasn’t been repaired. Olympus hi-res, two frame panorama.

Red-winged BlackbirdRed-winged Blackbird, Merritt Island National Wildlife Refuge, December 2017.  Common around here, but those epaulettes are attractive!

A gull and the ocean, 1A gull and the ocean, Cocoa Beach, January 2018. This is also an alternate view to the one posted back then.  I bracketed exposure due to extreme contrast and to get some detail on the bird.  Blended in Photoshop

Please click on any of these to see a larger version on Flickr.  And thanks for stopping by and reading my blog. Now – go make some photos!  I will too!

©2018, Ed Rosack. All rights reserved