Hello loyal readers! This is the next entry in the occasional blog category called “Postcards” where I upload photos of Central Florida scenes – similar to ones you’d find on a postcard.
It’s easy to find all of these. Just use the “Places / Categories” pulldown menu over on the right side of the blog and select “Postcards”. If you’re viewing the site on a phone, you may not see that menu – in that case, just type “postcards” into the search box.
It’s a 2 frame vertical panorama shot with an infrared modified camera, handheld with a 24 mm equivalent lens at f/3.5, ISO 200 at 1/800 sec. I processed the photo and converted it to Black and White using Lightroom and Photoshop. You should be able to click on it to go to Flickr and then select the download symbol below and to the right of the photo. I hope you like it!
Thanks for stopping by and reading my blog. Now – go make some photos!
Note: Items in my blog that are marked with a Creative Commons license are available in high resolution for you to download for your personal use. Please visit this page to see details and restrictions that apply: https://creativecommons.org/licenses/by-nc-sa/4.0/.
I missed out last week on a trip with Kevin K. and Kevin M. to the Circle B Bar Reserve due to some dental work (ouch!). So I was eager to photograph something this week. My schedule was finally clear on Friday, and when I woke up early, I decided to go walk around Orlando Wetlands Park – one of my favorite spots in this area.
Whoops. I suspected something was wrong when I got out of the car and heard engines running. I walked out toward Lake Searcy in the dark and when I saw construction gear and no water in the corner cell, I turned around. Fortunately I’d gotten up way too early, so I still had time to change my “plans” and almost make sunrise over on the coast.
Early morning on the river shore 2. Rotary Riverfront Park, Titusville. That’s the NASA Vehicle Assembly Building in the distance.
After that, I headed to Merritt Island National Wildlife Refuge. There are a lot of winter migrants here now. The birds must’ve known beforehand about this week’s Polar Vortex. In addition to our year round species, I saw American Avocets, Lesser Scaups, Northern Shovelers, Hooded Mergansers, and fast warblers I couldn’t ID. I also stopped and talked to some folks on Black Point Wildlife Drive who were trying to find a Cinnamon Teal that’s been seen there. I heard later they found it again on Saturday.
Hooded Mergansers. Two males taking turns displaying for the females in the area
Pair of porkers. Part of larger family just inside BPWD.
Spoonbill and reflection. This bird was so still, I had time to zoom in and make a three frame panorama. That really helps with details!
Weathered Red Cedar. I was glad to see that my infrared camera still works after so much neglect!
So my photo adventure started out badly, but turned out well. Those engines I heard were pumps. I checked the OWP web page when I got home – they’re “demucking” Cell 14. And there’s also construction going on in Cell 16. I’ll go back in a while when the ruckus dies down. Don’t be like me – check the web page before you go. Even if you’ve been there many times!
Okay, I know the name of the blog is “Central Florida Photo Ops” and I usually write about landscape and wildlife photography. But Old Car City (http://oldcarcityusa.com/) is a very cool place and I have a scouting report and some photos to show you!
Old Car City calls itself a “Photographer’s Paradise”, and the “worlds largest known classic car junkyard”. It’s hard to disagree. It began as a general store in 1931 in White, Georgia. Over the years it evolved into a forested refuge for 4000+ cars, most more than 35 years old. Located about an hour from downtown Atlanta, it covers 34 acres with 6 1/2 miles of trails to explore.
The cars stay where they were originally placed. Some are piled high. Others rest alone or lined up. Many are overgrown with vines and some even have trees growing right through them. Admission is $25 (only $15 if you don’t photograph). We spent 3 – 4 hours there and I was exhausted before the photo ops were.
Impala convertible – and tree
Walking through can be surreal – especially in infra-red.
Old Car City IR Pano
Photography here can be challenging in several ways. I carried my tripod all around the place and the local cat kept showing up and rubbing up against it – not helpful!
Junkyard cat and matching VW van. It followed us around and liked to rub up against tripods. Not good, cat!
This isn’t a traditional salvage yard – no parts are sold. It’s more of a museum, although there’s no effort to preserve exhibits. The cars were saved from the crushing machine, but not from nature.
You can find much more than just old cars and car parts. There are school buses, and tractors, antique toys, wagons, bicycles, and more. I even read there’s a Cartersville Grand Theater marquis, but I didn’t see it on my visit.
Doll and chair – You can find more than old cars at Old Car City. This was right next to the path – yet it looks like no one’s disturbed it in years.
Safety: You’ll have to sign in when you pay admission, but there’s no lengthy rights waiver and a lawyer doesn’t follow you around. The place could be dangerous though – there’s broken glass, rusty metal and some sharp edges. Just be careful, not stupid. Heed the warning signs, stay on cleared paths and off / out of the cars and you should be fine. Oh, and some insect repellent might come in handy.
Don’t open hoods doors
My tripod was helpful mostly for Olympus hi-res images – but if you’re not making those I think you can get by without one. I used focal lengths from fish eye up to about 200mm equivalent and I’d say your wider lenses would be the most useful.
The number of photo ops in this place is huge. If you go, my best advice is to do a little research before hand and plan out a strategy or two. Get some larger framed intro shots, but think about concentrating on one or a few categories: hood ornaments, door handles, dashboards, interiors, decay, rust, textures, vegetation on vehicles, etc., etc. The possibilities are huge.
I decided to wander over towards Merritt Island National Wildlife Refuge early last Friday. My shutter finger was itching and I had to get a camera out and scratch it. I was running a little late and wouldn’t have made it to the coast for sunrise, so I stopped at C S Lee Park on the St. Johns River on my way. Nature provided quite a show.
Another Central Florida Morning
I don’t know what this effect is called – when the sun just kisses the cloud bottoms and leaves higher clouds darker and less colorful. I don’t see it often enough. Maybe that’s because it only lasts for such a short time. According to my EXIF data, I made this image in the middle of a 2-3 minute window and the colorful streaks were much less prominent just before and after. Whenever I do see this, I’m happy to make a photo!
The Jolly Gator Fish Camp Bar & Grill is next to the park, right across a shallow water filled area from where I made the sunrise photo. I liked the reflection and symmetry and made this image before I moved on. I’ve never actually been inside this place. Maybe I’ll talk Lynn into going there for lunch with me.
Jolly Gator Fish Camp & Grill
MINWR has a web page you can check for road closures. Currently, it won’t do you much good – info on Gator Creek, Biolab, and Black Point is all out of date. Last Friday, Gator Creek and Biolab Roads were open. They’ve been re-surfaced and are in good shape. And Black Point Wildlife Drive was closed due to the amount of rain we’ve had recently. I hope they keep the road closures page more current. I sent them a note.
I didn’t have much luck with birds or wildlife on this trip. So I’ll leave you with two more scenic photos.
Lone Pine and Clouds at Dawn (color version)
This tree is along the left side of the road leading into the Bairs Cove boat ramp. The combination of early morning light, a lone pine tree, and the clouds in the background stopped me in my tracks. I made this image and the last one out my car window. Fortunately there wasn’t a lot of traffic. With these two photos, you can see how the infra-red sensor renders light compared to an unmodified camera.
This is a long article about Infrared (IR) image processing. If you don’t process IR photos, feel free to just look at the photos! And please take a look at the new Infrared Gallery I added under the Galleries / Portfolio menu at the top.
You probably know I like IR photography. I’ve written about it before (click here to review my posts) and I often include IR photos in this blog. Here’s a recent example:
Circle B Bar Infrared 1 (four frame vertical panorama)
Infrared’s an interesting medium.
IR captures invisible light: a portion of the spectrum that’s different from what your eyes can see.
The spectral response makes blue sky look dark and foliage bright. This reverses a normal daylight scene’s brightness values. It helps tame contrast and allows you to shoot even when the sun is high in the sky.
Since your eyes can’t see infrared, your interpretation of the alternate reality is up to you. You can process IR in Monochrome or as a false color image.
IR can sometimes capture details that aren’t seen with visible light.
If you use a modified digital camera, you may see improved detail in your photos. The conversion process removes the IR blocking / anti-aliasing filter. In many digital cameras this slightly blurs the image during capture to lessen Moire and other aliasing artifacts.
I’m not really qualified to discuss shooting IR film – I’ve only done it a few times. But I will say that modifying a mirrorless digital camera is a great way to approach infrared. The mirrorless design eliminates any issues with IR focus. The camera’s built-in exposure meter works well and values are close to the normal visible light ones, so you can hand hold in daylight conditions.
Circle B Bar Infrared 3 (three frame vertical panorama)
Eight Cedar Waxwings – I forgot to bring the spare battery for my main camera and ran out of charge. So I switched my long lens to my IR modified body and kept shooting.
So what’s the point of this post? I’ve struggled lately with how I process my IR images. The work flow I’ve used seems to result in too much contrast / clarity. I just felt that the results looked a bit “digital”. So I’ve searched for new methods and I’ve found one that I like. I’ve used it on all these photos and I feel that they look much more “organic” and much less “digital”. What do you think?
Five nest Cypress (five frame vertical panorama)
Here is my updated workflow:
Capture the RAW images with a modified micro 4/3 mirrorless camera. Aperture priority, mostly handheld (although I do occasionally use a tripod).
Import into Lightroom to save the master files. Then decide which ones are worth processing and discard the seconds / rejects.
Batch process the “selects” through DxO Optics Pro to take advantage of its noise and camera / lens module processing. This step returns copies back to Lightroom in Adobe DNG RAW format.
In Lightroom, apply a custom camera profile to optimize the white balance (see this article for how to create one). And if it’s a multi-frame image, stitch it together with Lightroom’s merge to panorama function.
Sometimes, you can use Lightroom’s B&W conversion and finish an image. But I’ll open ones I really like in Photoshop.
There, straighten and crop, use the content aware fill, and clone if needed.
Finally, it’s back to Lightroom for any final adjustments (tone curve, sharpening, vignette, grain, etc.).
Circle B Bar Infrared 6 (five frame horizontal panorama)
Could I achieve this look some other way? Maybe even with a lot fewer steps? Yes, I’m sure it could be done.
Circle B Bar Infrared 2 (three frame horizontal panorama)
Just a few years ago, we only had Adobe Photoshop and then Lightroom to process RAW images. One of the great things about photography and image processing today is that there are so many ways to do things. That’s also bad, because it takes a lot of effort to study all the options and find out which ones work best. It seems like each program has strengths and weaknesses.
Software is changing every day, but I don’t know if there will ever be a single image processing program that does every thing I want. For now, I’m happy with the results I’m getting using this somewhat complex workflow. That doesn’t mean I’ll stop looking for new or simpler ways to do things.
Indian Springs is about six hours by car from Central Florida. It’s east of I-75 between Macon and Atlanta and well worth the drive. Lynn discovered they have cabins and suggested that we go up for a few days to see if any leaves are changing. They definitely are!
I think peak color will be in a week or so. We get very little fall color in Florida – so it was a treat to see.
The cabins are nice – some of the best we’ve stayed in. They must have been refurbished not long ago. They have two bedrooms, one bathroom, a kitchen, a living room, a screened porch, and are fully furnished. And the location on a gorgeous lake was wonderful. This was the view just a few steps from the back porch:
Good morning (three Frame vertical panorama)
There were other things to see in the park too. This creek runs along the road by the entrance.
Big Sandy Creek (using the new iPhone “Live Long Exposure” mode)
And we spotted this cemetery from the 1800s along the road to the cabins.
At rest in the wood (Infrared)
We saw a few deer and although I didn’t put much effort in, several kinds of birds. We had some fun watching (and listening) to Canada Geese on the lake. I managed to make this video one morning around sunrise. The flock took off just as the sun started to hit the lake.
There are several other places to see in the area. High Falls State Park is just to the east and Piedmont National Wildlife Refuge is to the west. We’ve explored several state parks in Florida, but after this experience, we’re going to expand our target zone! And Indian Springs is definitely on our “go back” list.
Thanks for stopping by and reading my blog. Now – go make some photos!
Clouds, Mountains, Desert. Near San Augustin Peak, NM. 7 frame panorama.
I find western landscapes extremely appealing. Maybe it’s just that they’re so different from Florida. When I saw these mountains, I made MK pull over so I could make this image.
Volcano Cinder Cone. IR, B&W, 3 frame panorama
This is a view of one of the three Volcanoes visible from the Volcano Day Use Area in Petroglyph National Monument, a little west of Albuquerque. When I got back to the car, I realized I’d dropped a lens cap somewhere along the path. I did go back and look for it and of course, couldn’t find it. Does that happen to you too?
There’s an interesting exhibit at the Museum of Seminole County History through September 30, 2015. It features over a hundred works of art made from the charred remains of The Senator – the 3,500 year-old cypress tree that burned in 2012.
It’s well worth going over to see these in person. It you’re there this Wednesday night (August 19th, 2015) between 5 and 7 pm, you can also meet the artists. I have some other photos from the exhibit at this link.
Thanks for stopping by and reading my blog. Now – go make some photos!
Some photographers plan their photo ops in detail. In many cases that’s a good approach. Portrait and wedding photography are genres that need advanced planning. And if you’re going on a once in a lifetime trip, planning is prudent. Other genres are more reactive (e.g. photo journalism).
I try to do research and planning if I’m going somewhere I haven’t been, but I don’t plan most of my photography. Especially if I’ve been to a place before, my approach is to explore and discover, and then react to what I find. Often, I end up with photos that I never imagine when I start out. Which is loads of fun!
A few weeks ago, I went over to the Sanford Marina to make sunrise photos. I arrived early and discovered very calm conditions in the harbor. I reacted with this photo. It’s nothing like the sunrise I originally went looking for.
Still water, sailboats, and stars – Very early and very calm at the Sanford marina
Last week, I took a ride here in Central Florida along Maytown Road between Osteen and Oak Hill. It goes through some very undeveloped areas and ends at Seminole Rest, a small park in the Canaveral National Seashore. In this case, I hadn’t really planned for any photos. I was just driving to see what’s there. I was glad to discover this gnarled old tree, although I wish I’d found a little better light to go with it.
Weathered Tree – Seminole Rest, Canaveral National Seashore in Oak Hill, Florida
This last photo is from back in 2013. It sat in my archives until this week when I discovered it again and processed it. It took a while for me to complete my reaction to the scene.
Sun and shadows – Long exposure under the pier at Cocoa Beach
The photo and video in last week’s post also resulted from the “explore, discover, react” approach.
So what’s the moral of this story? I suppose it’s this: If you approach photography like I do, you’d better be ready to react to a scene when you see it. Know your equipment so you can capture what you need when you discover something. Even in the dark or in rapidly changing situations. Know your software capabilities too, so you understand what you need to capture. Be ready for the opportunities that you find, and the ones that find you.
On a different subject, I realized after I published last week’s blog that embedded video isn’t included in the email. The Jetpack plugin software that I use doesn’t even put in a link to it. So if you read the blog only via email and wondered what the video was about, you can click here to view it on YouTube. And you can always click on the title of the post inside the email to view it on the web. Sorry for any confusion.
Thanks for stopping by and reading my blog. Now – go exploring – and make some photos!
Here are three photos from last week that I made in and around Central Florida. First up is the Cocoa Waterfront. I liked the early morning look of the clouds and water at River Front Park.
Calm morning on the riverfront. (Two frame vertical panorama, Infrared, B&W, 34mm eq. fl, 1/40 sec @f/5.6, ISO 200)
The morning light was also nice at Viera Wetlands, and this American Bittern posed for us in the reeds. I’ve been lucky enough to see them there several times over the years. I’m sure they’re in spots like Merritt Island National Wildlife Refuge too, but I’ve never spotted one there.
American Bittern. (600mm, f/8, 1/640 sec, ISO 320)
Orlando Wetlands Park opened again February 1st. It’s one of my favorite places for sunrise. Our walk on Friday morning was brisk and breezy, but I like the wind’s effect on the water in this photo.
Wee hour winds whisk water and reeds in the wetlands. (Two frame vertical panorama; 120mm; I shot the bottom frame at f/22 and ISO 50 to extend the shutter speed to 8 seconds and maximize depth of field. I made the upper frame at f/8, .5 sec, ISO 100 to maximize sharpness)
So that’s some of what I photographed last week. What did you shoot? Thanks for stopping by and reading my blog. Now – go make some photos!