I have a lot of (too many?) images in my Lightroom Catalog. I like to look through them sometimes. It brings back memories of people and places I haven’t seen for a while. It’s easy to lose track of time doing this. And if I run across a promising image that I’ve never processed or published before, I can end up spending even more time “stuck in the archives”.
There’s a bit of water / mud in the riverbed, left over from a rain storm several days earlier. And there’s a group of hikers on a ridge on the right hand side. If you’re viewing this on the web, you’ll be able to see the header image, which is a small crop showing the hikers.
Late afternoon at Zabriskie Point (75mm, f/8 @ 1/80s, ISO 100).
When I went through my photos after the trip, I passed over this one. The sun’s position just out of the frame on the top made the light very harsh. The RAW image was washed out, the riverbed was over exposed, and the terrain was a bit underexposed. There were also a few ugly lens flare spots through the middle of the frame. I can see why I didn’t bother with it back then.
Anyway, I decided to try and process it and spent some time applying various quantities of modern software magic to it. I like the result and I think it was worth getting stuck in the archives for this photo. I’m really glad I saved the file!
You may have seen the tragic news last week about a US Navy F18 crash in Death Valley. The jet was flying through Rainbow Canyon next to Father Crawley Point when it hit, killing the pilot and injuring seven bystanders.
I feel a connection to this. One reason is because of my own Navy service. During NROTC training, I was assigned to an attack squadron aboard an aircraft carrier in the Mediterranean. I saw firsthand how professional, dedicated and skilled Navy aircrews are. My heart goes out to the pilot’s family.
I also feel connected because I’ve visited that exact spot. Back in 2015, Tom M. and I drove up to Father Crowley Point during a trip to Death Valley and made a few photos. At the time, we weren’t aware of the background of this place and just planned to make landscape photos. But then we heard the jets overhead.
US Navy F-18 exiting “Star Wars Canyon” in Death Valley at Father Crowley Overlook, October 2015
Air Force and Navy pilots have trained there since the 1930s and it’s become a hotspot for military aircraft photographers and enthusiasts (see this article in the LA times). Rainbow Canyon has a couple of nicknames: “Star Wars Canyon” and the “Jedi Transition”. It’s one of the few places in the world where you can see and photograph military aircraft below you as they fly by (here’s another good article on Arstechnica).
Tom and I were getting ready to move on when we heard another jet approaching and getting much louder. I managed to switch to continuous mode and follow with my camera as it roared through the canyon right next to us. The photo above is a 9 frame sequence merged into a single image to show the progression as it leaves the canyon. I’d only ever processed a single frame of it before (here on Flickr). Although this set of frames is from a more recent (and capable) camera, I went through processing steps similar to those I described here: Reprocessing-a-mt-evans-elk-herd-panorama. I merged it manually this time to make sure all images of the aircraft were preserved in the final version.
I’m glad bystanders’ injuries weren’t too serious. I feel very sad for the young pilot and his family. And I’m grateful that we have people that volunteer to serve and protect us, even at such great risk to themselves.
Thanks for stopping by and reading my blog. Now – go thank someone in the military for their service.
Just 35 miles from Los Angeles, the Santa Monica National Recreation Area is an escape from the bustle of the city. We headed to the Anthony C. Beilenson Interagency Visitor Center for some orientation (and souvenir shopping), and did the short but steep hike up to Inspiration Point. We saw lizards and birds along the way, and the dry landscape made for dramatic views against the Santa Monica Mountains:
Plant at the Pinnacle
That Saturday, we took a morning boat trip out to Anacapa Island – the smallest of the Channel Islands – with a company I’d highly recommend: Island Packers. For just $29 each way, the beautiful boat ride alone was worth the trip. On our way to Anacapa, we enjoyed stunning views of Oxnard Harbor, a few Harbor Seals “sunning”, and even an illusive Minke Whale (he was too quick to photograph and never came back up).
The Channel Islands are truly a magical place, sometimes called the United States’ Galapagos Islands because there are 145 species of plants and animals only found there. We stayed 3 hours on the island exploring, seeing as much as we could, and eating the picnic we brought, but there are many arrival/departure options so you can stay as long as you’d like (or even camp over – although the smell of pigeon poop was rather strong!).
I also enjoyed playing with the fish eye lens I borrowed from my Dad – I thought it brought an interesting perspective to the Island.
Channel Islands National park Sign
On our way back to land, we had the treat of a humpback whale doing acrobatics for us: for about 10 minutes we watched him partake in “pectoral slapping” – spinning back and forth and slapping his fin on the water – quite the site juxtaposed against a giant oil rig in the background.
Man vs. Whale
If you ever find yourself on the West Coast, it’s definitely worth the trip out to the Channel Islands (and a hike over in the Santa Monica Mountains National Recreation Area). It’s amazing to find so much nature near such a large metropolitan area. Check out the other photos from my trip in this flickr album (including a life bird: the Rock Wren!).
Thanks for stopping by and reading MaryKate’s blog post. Now, go make some photos!
Good morning, wonderful readers! I hope you don’t mind a short post today with a few more photos from Death Valley. The place made a big impression on me. I hope to return sometime in the future.
Desert rain water – A different view of the post storm water in Death Valley. Some locations had 5 inches of rain on October 18th. The water here collected in small puddles.
Overbury Building ruins in the Rhyolite Ghost Town near Beatty, Nevada. Black and White Infrared panorama.
Death Valley Sundown – I like the sun rays and reflections from the wet mud below.
Mosaic Canyon Monochrome – Rushing water carved these canyon walls, resulting in a variety of textures to explore.
Monochromatic textures – Zabriskie Point in Death Valley is a wonderful place to photograph. The hills vary in color and with the changing light and clouds, it seems there are always new textures, shadows, and compositions to focus on (pun intended). I wanted to emphasize the textures, so I used Lightroom to convert this one to monochrome. For some reason, this was one of the first photos I made there and one of the last that I finished processing.
We’ve added even more photos from our Death Valley expedition in the albums at these links:
When you think of the desert in the western US, you might imagine extreme heat and monochromatic scenes of empty barren land. If so you probably haven’t been to Death Valley. There is some empty barren land:
Badlands sunrise – This was my first visit to Death Valley and what I thought it would look like.
And there are sand dunes and wind-blown textures:
Photographing Mesquite Flat Sand Dunes – A distant photographer lines up his shot.
But there are so many more things to experience there.
It’s the largest national park in the contiguous US at over 3.4 million acres. The habitats are varied and the elevation ranges from 282 feet below sea level in Badwater Basin (the lowest point in North America) to more than 11,000 feet at the top of Telescope Peak.
Panorama of Badwater from Dantes View, looking west toward Telescope Peak
Many of the places we wanted to see weren’t accessible while we were there. The good news is that there were more than enough locations we could still get to, and the water created some rare views of the area.
Death Valley Reflections – Some locations had 5 inches of rain. The following morning, we saw large pools of water west of route 190 and north of Furnace Creek. It was a long walk (~1.5 miles from the road) to get close, and at times I wondered whether it was a mirage. I’m guessing it’s rare to see the mountains and clouds reflected in standing water at this spot.
And are there any waterfalls in the desert? You wouldn’t think so, right? We decided to find out one day and after a long drive, hike, and rock scramble through a gorgeous canyon, we arrived at Darwin Falls, which seems like a miracle in the middle of such arid country.
Darwin Falls – This desert waterfall in Death Valley had about a 40 foot drop. It’s spring fed and flows year round, although the rains may have added some water while we were there.
There’s a lot of history in Death Valley too. The Native American Timbisha tribe have lived in the valley for at least 1000 years. Gold and silver mining started in the 1850s and Borax was discovered in the 1880s. There are also several ghost towns to explore in the park and the surrounding areas.
20 Mule Team Wagon Train – Used in 1885 to haul Borax From Death Valley to Mojave. Borax Museum, Furnace Creek, California
There’s also a surprising amount of wildlife. While hiking back from the Mesquite Flat Dunes we spotted some motion ahead that turned out to be my first sighting ever of a fox in the wild.
Kit Fox at Mesquite Dunes – We saw it from a distance. At first I thought it was a coyote, but Eric Vanbergen on Flickr suggested it might be a Kit Fox. Judging by the info on Wikipedia, he’s right. I made the photo handheld (with my tripod still attached!) using a 24-120mm lens that I was using for landscapes. This is a small crop from the frame. It was nice of the Fox to stop, stand in the light, and look at the camera for me – but it should have come closer!
We also saw several of these, curiously along or as they crossed the road. They’re large enough (~3 inches across) to spot as you drive by.
Classic Death Valley (Photo by Kevin McKinney – used with permission) – We saw several Tarantulas while we were there.
Here’s one last photo. We’d been searching for a Road Runner all week but hadn’t seen any. On the last afternoon we finally sighted this one as we drove by the visitor’s center. Of course, none of us had our camera gear – thank goodness for iPhones!
“Beep Beep” – A Roadrunner outside the Visitor Center at Furnace Creek. I think this is the one the rangers have nick-named “Robbie”. It’s very tolerant of humans and went about catching and eating bugs while we watched.
You can view many more photos from our trip at these links:
Link to Tom M’s album on Flickr (No longer available)
This is really more of trip report than a review or guide. With so little time on site, I’m not qualified to give you much specific advice on photographing Death Valley. But here is some info I found very useful:
I’ve been away for the last week and caught a bad cold on the trip. I got home last night and I’m feeling better today although I don’t have the energy for a long blog post. Sorry.
I’ll be back next week and I promise to provide more photos and info. Here’s one image to whet your appetite. This is a 20 second exposure at f/2.2 and ISO 1600, under the darkest skies I’ve ever seen. The Milky Way was easily visible even though the brightest part was below the horizon.
Two galaxies – Andromeda Galaxy and part of the Milky Way, from Zabriskie Point in Death Valley National Park
Thanks for stopping by and reading my blog. Now – go make some photos!
If you’ve read this blog for any length of time, you know that I like panoramic photos. We’ve all been to many places where the view is so grand it doesn’t fit into a single frame. Sometimes you can’t capture what your eyes see with one camera exposure. So I started stitching panoramas together. My first few were way back in the film era (1999 or 2000). When I started using digital cameras, panoramas became easier and I’ve made many more since then. They help me avoid “tunnel vision” and show more of a scene. They’re also an excellent way to capture an image with a huge number of pixels – which allows for very large prints.
May 2007: View of San Francisco from Twin Peaks (6389 x 3110 pixels)
I’ve learned quite a bit about how to make panos, and in August of this year, I shared info on how I usually process them. That was a description of the detailed workflow I use to make the best quality image I can. It can be time consuming and requires care in capture as well as post processing. But if you put in the effort, the results are very good – and the files are much bigger than from a single frame. Here’s a recent example:
But it turns out that my way isn’t the only way to make panos. There’s a much easier way to make them – here’s an example:
October 2013: Underneath the bridge over the St. John’s River by the old bridge and railroad trestle (7908 x 2692 pixels)
I made this pano with my phone. It’s not as large (2692 pixels on the short side compared to 4706), but you probably couldn’t tell much of a difference in quality unless you pixel peep. Using my phone is easier and if something is easier, people will do more of it – and more panos means better memories.
iPhones have had a built-in panorama mode for a while, and the latest versions bring a lot of processing power into it. The iPhone 5S does automagic adjustment of exposure across the frame, and stitches the results together in real-time as you sweep your phone. The results are fairly large files, and the quality is surprisingly good.
Here’s one more recent iPhone panorama example and proof of the saying that the best camera is the one you have with you:
November 2013: Interior panorama of the Roman Colosseum (Flavian Amphitheatre) – Photo by MK Rosack (used with permission)
Lets compare making panoramas on a phone with a multi-photo approach. I’ll use the iPhone 5S for this – your phone may be different.
Very high – you always have it with you
Low – You need to plan for it and carry your gear
High – End result available very quickly. And can post right from the phone.
Low – Need to get home and run your software
Low – Done by the camera; Can adjust jpg result
High – Adjustments can be made throughout each processing step
Low – Done by the camera; Some amount of touch up may be needed
May be High, depending on software and source images
No – jpg only
Medium – Short dimension a max of 2448 pixels
High – DSLRs typically higher resolution than iPhone and you can make multiple rows if desired
So, should you use your phone for panoramas? Yes!
Should you always use your phone for panoramas? Not quite yet.
Phones are getting better all the time. And they’re getting better faster than cameras are getting better. Sooner or later, most people won’t want or need a dedicated camera. Right now I think phones are “good enough” in many cases, especially if you think about the trade-off between output quality and ease of use. For panoramas, the ease of use and convenience allows many people to make photos they otherwise wouldn’t. In my case, if I don’t have any other camera with me, I’m sure going to use my phone. But if I want the best quality image possible, I’ll still use my stand alone cameras when possible. Check again in a few years – the answers may be different.
Thanks for stopping by and reading my blog. Now – go make some panoramas! And don’t forget your phone!
On this day I would like to thank all of our active duty military and and all veterans who have served in our Armed Forces.
You chose to answer the call. Your commitment to freedom and your courage and sacrifices have brought the blessings of liberty to the people of the United States of America. Most of the world will never know liberty and freedom like we know it.
It may not be possible for our gratitude to match the enormity of your gifts to us. We are grateful that you stand between us and those who would do us harm. We appreciate you giving our children a hopeful future. And we pay tribute to those who offered their lives in defense of our freedom.
A view of San Francisco National Cemetery located in the Presidio, on Christmas Day, 2005 in the rain. Minolta Dimage 7Hi @ ISO 100, 28mm eq., f/4.5, 1/45 sec.
On May 5th, I was able to go to Yosemite for a day during my visit to San Francisco. The drive from where we were in Dublin, California (east of San Francisco) is about 120 miles. We were on the road at 6 am, and it took us about 3 hours to get to the park.
Two waterfalls: El Capitan, Cathedral Rocks and Merced River
May is a good time to go – The snow is melting and the waterfalls are in full force. There are some wild flowers blooming, but not as many as later in the year. We did see some nice Pacific Dogwoods in bloom. In early May, school’s not yet out, so the traffic is not as bad as it gets in the summer. We were there on a Saturday and I was very surprised by how little traffic there was.
They’re hiring at the park! While we were checking out in the gift shop, I talked to the sales clerk. He lives in the park and explores every chance he gets. He told me they need 200 people. They pay minimum wage, but room and board is incredibly inexpensive (~$70 / week!). It was very tempting, but Lynn would’ve probably been upset with me if I didn’t come home all summer.
I wish we could have spent more time in the park. We were only there for a few hours before we had to head back. There’s so much more to see.
The National Park Service website for Yosemite is here .
Please take a look at the rest of my Yosemite photographs, posted here.
Mary also took some very good photographs of Yosemite and Muir Woods which are posted here. (no longer on-line as of 2019).
So what if you could take a long weekend, fly free to San Francisco, take pictures of scenic locations there, then also go to Muir Woods and Yosemite to explore the photographic opportunities? What if someone bought you your plane ticket? Would you think that life is being too good to you and sooner or later the odds would have to even out? Me too. Here’s hoping that it takes a while for my luck to catch up with me.
I met Mary in Cincinnati on Thursday night and we flew out to SF together. Friday, we ran some errands and then went to Muir Woods National Monument . Saturday was Yosemite. Sunday was more errands and then tourist locations around SF, including Fisherman’s Wharf and Pier 39. And on Monday, I flew home.
There is a really good overlook in SF called Twin Peaks . On a clear day like we had, you can see quite a bit. I played around with my point and shoot and took several panorama sequences.