Category Archives: VARIOUS

So long IR, and thanks for all the memories

February 20, 2022Cameras and Photography, Infrared processing, INSIDE FLORIDA, Maineblack and white, infrared, landscapeEd Rosack

I’ve been interested in infrared photography for a long time. I first attempted it sometime in the 1980s using black and white IR film. The results weren’t very good. Focus and exposure using IR film was a challenge back in ancient times.

One of my first digital cameras was a Minolta DiMage 7Hi and in 2003 I tried again with an IR filter on the lens of the unmodified camera. The dense filter required long exposures on a tripod even in daylight. I hadn’t mastered RAW file processing and was using jpg format which didn’t help. But results were better than 1980s film!

2003: An Oak tree, Oviedo FL – B&W 49 IR filter on an unmodified Minolta DiMage 7H camera, 4 sec @ f/8 ISO 200

In 2011 I started researching IR modified cameras and ended up sending my Olympus E-PL1 off to have its IR blocking filter replaced with one that passed IR light and blocked normal visible light. That was a big step forward. Focusing just worked and exposures were similar to those on an unmodified camera. I made the image below from a small boat and it would’ve been very difficult with a dense filter and 4 second exposure!

2012: Blue Cypress Lake, Fellsmere FL – IR modified Olympus E-PL1, 1/250 sec @ f/5.6 ISO 100

In 2013, I traded up to an IR modified Olympus E-PL5 to take advantage of the lower noise and additional resolution.

2014: A calm day on Jordan Pond, Acadia National Park, Maine – IR modified Olympus E-PL5, 1/200 sec @ f/5.6 ISO 200

Then in 2017 I bought a second hand IR modified Olympus E-M5 MII and sold the E-PL5. The E-M5 MII was a bit better and had a hi-res mode which I used frequently.

2019: Wetlands view, Merritt Island National Wildlife Refuge – IR modified Olympus E-M5 MII, 1/1600 sec @ f/3.5 ISO 200

In late 2021, I decided to sell the E-M5 MII. I hadn’t been using it much. Packing the extra camera, lenses, batteries, chargers, etc. was a hassle. And remembering how to use another camera system isn’t easy when you don’t use it very often. Now, if I want to do any B&W photography I have to use one of my non-IR cameras.

2022: Along the shore, Merritt Island National Wildlife Refuge – unmodified Fuji X100V, 1/140 sec @ f/8 ISO 160

For all except the first, I started with the original RAW file and processed them with my 2022 current work flow and software. You can click on the last four to see higher res versions on Flickr. And I’ve collected many IR photos in this album: https://www.flickr.com/photos/edrosack/albums/72157628062119778

It has been a long journey with infrared. Am I done with it? It seems so, but who knows? Not me!

Thanks for stopping by and reading my blog. Your visits, comments, and likes are always very welcome and a big motivator for me. Be kind, take care of yourselves and each other. And if you can, make some photos – you’ll cherish the memories!

Good light

February 13, 2022Techniquegrass, landscapeEd Rosack

Classic / traditional landscape photography is often about pre-planning, travel to iconic grand vistas, waiting for gorgeous light, and making a carefully exposed image with a wide angle lens on a high end camera mounted on a tripod.

And that’s all great – I enjoy doing that. But that’s not something we can do all the time (especially during the last couple of years!). As photographers, we learn to see and understand light. When we notice attractive or different light, we should photograph it. No matter how mundane or common the subject is, it can be lovely if the light is lovely.

Just a clump of grass

When I noticed the sun shining on this area, I’d already put away my tripod and taken off my wide angle landscape lens. I made it at ISO 100, 70mm @ f/2.8 for 1/640s, hand held. I like the way it came out.

Always watch for interesting conditions: golden hour, blue hour, or in bad, cloudy or severe weather too. The subject is of course important – but there’s no photography without illumination, and no good photography without good light.

There’s beauty everywhere at all times of day. You just have to look a little harder sometimes and capture the light where you find it.

Merry Christmas!

December 24, 2021Miscellanious, Ponce InletChristmasEd Rosack

Just a short post this week to wish everyone a very Merry Christmas.

Santa passing through Ponce Inlet

I’m not planning to publish next weekend, so I’ll go ahead and wish you a prosperous and healthy new year now too!

Thank you so much for following my blog again this year. Please be kind, take care of yourselves and each other. And if you’re lucky enough to be be with family – enjoy your precious time together! See you soon in 2022!

Flowering and Finished

December 19, 2021Merritt Island NWR, MiscellaniousFlowersEd Rosack

I first posted this photo about a month ago:

Goldenrod in bloom

The Goldenrod was flowering then all around Merritt Island National Wildlife Refuge. But when I drove back near the same spots recently, it looked like this:

Dried Goldenrod

Although still pretty, that’s a drastic change in the span of a month. And soon even the dried blossoms will be gone.

If you see something interesting, make a photo. There’s no telling if it’ll look the same when you come by again (and make another photo).

Header Image: A small crop from a black & white version of the second photo.

Thanks for stopping by and reading my blog. Please be kind, take care of yourselves and each other – and if you can, make some photos – before things change!

Lightroom Masking Changes

December 5, 2021Merritt Island NWR, Techniqueblack and white, BPWD, landscape, reflectionEd Rosack

Back in October, Adobe changed the way masking works in Lightroom and Camera RAW. I was a little irritated at first. The new interface was unfamiliar and I didn’t know how to do things I was used to doing with the old version (the radial and gradient tools). How dare they “move my cheese“?

Anyway – I’ve been using it since, have figured it out, and now like it much better than the older approach. The AI based capabilities (select sky and subject) are awesome and work pretty well. And the re-organized interface combines all of the masking capability into one place with very helpful ways to combine selections.

I won’t try to explain how to use the new tools. There’s a lot of info on the web about it. Here’s one tutorial that’ll get you started: https://digital-photography-school.com/lightroom-masking-tool/.

Instead, I’ll show you an example of how I processed an image using the tools. This one is from Merritt Island and it’s been sitting un-processed in my archives since 2016. Once I started working on it, I wondered why I’d left it sitting there for so long! This is the finished version:

Another morning in the marsh

And now, here are the four different masks I used in the final stage of processing:

Mask 1: Some areas in the clouds were too bright. I reduced highlights and bumped up texture and clarity.

Mask 2: I also lowered highlights in the corresponding reflection so they better match the sky.

Mask 3: The trees on the right were very dark, so I increased shadows there to bring out more detail.

Mask 4: And finally, the clouds on the left were a bit dark. I increased the exposure there by about 1/3 stop. This one is a radial filter intersected with a dark luminous range.

Here’s a before / after slider that shows the effects of the mask adjustments.

Comparison slider: Before (left) and after (right) masking. The changes aren’t all that dramatic, but I think they help.

So that’s my example. If (like me) you were a little put off by these changes, I’d encourage you to have another look. It’s worth the effort to master them. The control we have with digital capture and processing is just amazing when you think about how hard this would be to dodge and burn using film in an actual darkroom.

You can see a higher resolution version of this photo on Flickr at this link: https://www.flickr.com/photos/edrosack/51720541937/in/dateposted-public/lightbox/

And you can see many more of my black and white photos in this album: https://www.flickr.com/photos/edrosack/albums/72157625316775091

Thanks for stopping by and reading my blog. Please be kind, take care of yourselves and each other – and if you can, get out and make (and mask) some photos!

Get there early (or stay late)

November 28, 2021Cameras and Photography, Merritt Island NWRblack and white, Flowers, landscape, sunriseEd Rosack

I’ve been an early riser for a long time. I used to be at work before others and got a lot done before they showed up. I thought that would change when I retired, but the habit stuck with me.

I’m still up way before sunrise almost every morning. It’s an asset for landscape photography. I get to places when it’s still dark and things (and photos) look different.

Too early at the boat ramp

When I start early, I can go to more places. I’ll continue making landscape photos in different spots as I look for wildlife and the light changes. So I usually come home with a number of landscape images. These two very different photos are from the same trip.

Catfish Creek Trail

Getting there early gives me extra opportunities. It doesn’t work all the time or for everyone. It’s not the best approach for sunset and late night photography – but staying up late is. If you like to sleep in, you’ll need to apply my “too early” strategy in reverse and stay a little later after sunset. And if If you’re lucky enough to be at one of your “bucket list” locations, you’ll probably want to get set up and wait for the best light before you start moving around like I do.

Thanks for stopping by and reading my blog. Please be kind, take care of yourselves and each other – and if you can, get out early (or stay late) and make some photos!

Try Something Different

November 7, 2021UncategorizedEd Rosack

This isn’t typical of bird photos I usually make. But when I saw a backlit Great Blue Heron standing statue-like on an old post in the river – I had to try a few photos.

I was lucky I’d mounted my long zoom lens on the full frame body I usually use for landscapes. That gave me more resolution and dynamic range to play with in post-processing than I would have had if I’d used my typical crop frame birding set up.

Heron in a river of gold

I don’t do many silhouettes and strictly speaking, this isn’t one since I kept some detail in the dark bird. But I like the way it turned out.

Thanks for stopping by my blog. Please take care of yourselves and each other. And if you can, try something different when you make your photos. You might like how they turn out!

Sunrise lost?

October 17, 2021Cameras and Photography, Merritt Island NWRlandscape, panorama, reflection, sunriseEd Rosack

I might see one or two people fishing whenever I pull into Gator Creek Road in the Merritt Island National Wildlife Refuge before dawn. It’s rare to see another photographer there for sunrise, although later in the day on Black Point Wildlife Drive there are often plenty of folks taking photos. On this morning someone else was already out there when I pulled into this spot. They had their camera / tripod set up over on the right (out of the frame in this image). I parked a bit away to give them some space and not interfere with their photography.

Mangroves at dawn

As I set up and starting making images, they headed over with their tripod and camera. I didn’t pay a lot of attention, since I was busy trying to decide on compositions and wanted to capture the light on the clouds before it changed. I figured they just wanted to try a different viewpoint.

They stopped when they got to where I was and started talking about all sorts of things: music, musicians, photographing concerts, what camera I was using, where they lived, where they photographed, etc., etc. I was busy and concentrating on my photography, so a lot of my replies were monosyllabic. As time went on, I continued photographing and they continued talking. I hope I didn’t seem too rude. At one point I even mentioned how much I liked the cloud formations, but they never did make a photo.

There are all sorts of people, and we all have different priorities, but I still don’t understand. This person was motivated to get up very early, pack all their gear and head out for a morning of photography. But then didn’t make photos of a wonderful scene taking place all around us. Maybe they’d already got a lot of great photos before I arrived. But if it was me, I’d have kept shooting.

Anyway, here are some other photos I’ve made on Gator Creek Road: https://www.flickr.com/photos/edrosack/albums/72157720027085338

Changing the subject: Go take a look at Wally Jones’s blog post about this year’s sunflowers at Marl Bed Flats. He was out there on October 12th and got some really nice photos!

Thanks for stopping by and reading my blog. Please take care of yourselves and each other. And if you’re already out there, please go ahead and make some photos!

Lighthouse Before and After

October 10, 2021Maine, TechniqueAcadia National Park, landscape, lighthouse, ReprocessingEd Rosack

Lynn and I wanted another print for our walls and we both liked a photo of the Bass Harbor Head Light Station that I made on a trip to Acadia National Park back in August of 2014. Looking at the file in Lightroom, I wasn’t happy with the colors, and the resolution wasn’t quite enough for the size print that we wanted. I dug out the original RAW image file and reprocessed it with my current software and techniques. Here’s a comparison slider showing the full image (before is on the left):

Bass Harbor Head Light Station, Acadia National Park, August 2014

In Lightroom, I used their recently added “enhance” capability to improve RAW details and upsize. I also did basic adjustments including a slightly larger crop, white balance, and exposure. Then I opened it in Photoshop for final edits – which included texture / clarity tweaks and a pass through the Topaz Sharpen AI filter.

Here’s a small crop showing detail down by the water:

Software has improved a lot since 2014. I’m glad I saved the RAW file in my archives. We’ve already made the print and it looks good up on the wall.

A higher resolution version of the finished photo is here: https://www.flickr.com/photos/edrosack/51514669988/in/dateposted-public/.

If you’re interested, this link will take you to other blog posts I’ve written about reprocessing: https://edrosack.com/?s=reprocessing.

And I’ve collected some reprocessed examples in this album on Flickr: https://www.flickr.com/photos/edrosack/albums/72157622798164562

Thanks for stopping by and reading my blog. Please take care of yourselves and each other. And if you need to – reprocess some photos!

Planning or Luck?

September 26, 2021Merritt Island NWR, Techniqueblack and white, BPWD, clouds, landscape, panorama, reflectionEd Rosack

Ansel Adams is known for his pre-visualization approach to photography.

“The term [pre]visualization refers to the entire emotional-mental process of creating a photograph”
“It’s not what you see, it’s what you want me to see”
Ansel Adams

Having deliberate control of all parts of the photo capture and printing processes allowed him to create wonderful images. We can’t be Ansel Adams, but we can continue learning so that we gain as much control as possible in our own photography.

Embrace your craft. Study it. Understand it. Practice it. Select a subject. Compose and expose. Process and print. Use all your skills to control the light you capture. It’s a life long activity that you’ll never completely master.

But sometimes the subject and light find you. When this happens, be ready. If you are, you can use all of your acquired skills to make a photo showing what you want people to see. Ansel also said:

“Sometimes I arrive just when God’s ready to have someone click the shutter”
Ansel Adams

A while back over in Merritt Island National Wildlife Refuge, I saw this scene developing and really liked the way the sun was shining through the backlit clouds. I quickly searched for some foreground and found a pool of water reflecting the sky. I made a set of four frames that I could stitch into a vertical panorama.

Wetland Weather

Later on the computer, I had to solve issues with stitching, exposure, and focus but luckily I knew what to try and had the tools to do so. Of course, it’s not Ansel Adams level photography – but I’m very pleased with the result.

What kind of photographer are you? Do you pre-plan / visualize all of your photos? Or do you wander around and photograph what nature presents? Which approach gives you the best results? Which gives you the most pleasure: A carefully controlled composition that comes out exactly like your vision? Or a serendipitous image that came out well when you tried something new?

Luck is good. Preparation is good. Being prepared when you get lucky is better.

“Chance favors the prepared mind.”
Louis Pasteur

Thanks for stopping by and reading my blog. Please take care of yourselves and each other. And if you can, be ready – and make some photos!

Central Florida Photo Ops

What and where they are and how to photograph them.