Tag Archives: panorama

Riding the Rails – Orlando's New SunRail Commuter Train

May 16, 2014Downtown Orlando, INSIDE FLORIDA, Maitland, Must do list, Orlando, Winter Parkblack and white, buildings, panorama, sunrise, trainEd Rosack

There are a lot of posts on here about nature / wildlife / landscape photography in our area. But the blog isn’t only about those subjects – it’s about Central Florida Photo Ops in general. So this week we have something a little different…

Central Florida’s new commuter rail system opened on May 1. The first phase of SunRail is 32 miles long and connects DeBary to Sand Lake Road, with 12 intermediate stations. The fares have been free for the first two weeks while they work the kinks out of the system. And I had some free time – so it was a perfect chance to check it out.

Trains run every 1/2 hour during the morning and evening rush hours and every two hours in the middle of the day. Getting there early gave me more opportunities to get on and off the train and explore nearby locations. And sometimes the light is really pretty in the morning too!

A beautiful morning to catch the train – at the Maitland SunRail platform

The trains are new, clean, modern, air-conditioned, and the morning I rode they were all on time. They’ve been crowded with many folks riding for free to scope out the system. But by the time I boarded last Wednesday the crush had thinned out – I had no problem getting seats all morning.

Northbound

There are plenty of scenic locations within walking distance of the SunRail stations. Exploring them all would take longer than a morning so I only stopped at three: Orlando Health, Winter Park, and Maitland. Finding subjects to point my camera at was easy. Here are two examples:

Seaboard Coast Line – Amtrak Station

Lucy Bleuz and the Jazzy Dog – they look like good places to eat

I didn’t try photographing from inside the train – motion and glare would make it tough. But there are some interesting sights between stops. If you want to try this, the east side of the car in the afternoon might have the best shots and light.

Initially, SunRail isn’t operating on weekends – so you’ll need to get around another way on Saturday / Sunday. But if you have time during the week, it’s an enjoyable experience. And did I mention there are photo ops?

You can see these and a few more photos from this trip in this set on Flickr.

Thanks for stopping by and reading my blog. Now, go make some photos!

Lake Louisa State Park

May 11, 2014INSIDE FLORIDA, Lake Louisa State Park, Must do listbirds, black and white, Cypress, Flowers, infrared, landscape, panorama, reflection, sunrise, tree, wildlifeEd Rosack

Update (5/30/14): See this related post on 5 Mile Road.

Intro / Description

Lynn, Mary, and I spent the first weekend in May at Lake Louisa State Park (LLSP). It’s located just southwest of Orlando in Clermont, Florida. LLSP is 4500 acres of rolling hills including six lakes with 105 acres of shoreline. There’s a range of camping options and 20 very nice, two bedroom, furnished cabins that you can stay in. Activities include fishing, canoeing and kayaking, biking, swimming, hiking, and horseback riding.

This is another case of me wondering why it took so long to visit somewhere. My friend Kevin M has mentioned it several times, but I never seemed to get over there – until now. It’s truly scenic and I’ve included more images than normal in this post – I apologize if it loads slowly.

Info for Photographers

There’s a lot to photograph there and the variety of landscapes is greater than many places in the area. Hills are rare around here, but this park has them, some over 100 feet high. I made this photo on the hillside above the road by the cabin where we stayed.

Wildflowers and dewey grass at dawn

May 5-11 is national wildflower week and LLSP was doing its part. Several wildflowers were blooming, including Prickly-pear Cactus, Passion Flowers, Lantana, and others. I think we were lucky to see such a variety in bloom. The Passion Flower blooms are supposed to last for only one day.

All of the lakes in the park are great habitats for Cypress Trees and Spanish Moss – very scenic and a classic Florida landscape look.

Lake Dixie shore – From the fishing dock in the campground on the south side of the lake

The Cypress tree trunks can also be very interesting.

Nature’s sculpture – The older, weathered cypress tree shapes can be very unusual

There’s a variety of wildlife at LLSP, although not as much as some other locations in Central Florida. For instance, eBird lists 112 species at LLSP vs 293 in Merritt Island National Wildlife Refuge. We spotted nesting Ospreys (with chicks / juveniles), Red-bellied Woodpeckers, Cardinals, Black Vultures, Wild Turkeys, Nighthawks, a Swallow-tailed Kite, wading birds, vultures, Gopher Tortoises, Alligators, Deer, Crayfish, grackles and a few other species.

An Osprey returning to her nest to check on her chick

Photo hints:

Most state parks in Florida seem to open at 8am, which makes early morning photography a challenge. Since we were staying there, we could photograph whenever we wanted. This one is on the western shore of Lake Louisa.

Cypress dawn

Cypress dawn – by Lake Louisa.

Tripod/Monopod: Yes – take yours and use it when needed.

Lenses: There are so many photo ops here that you could probably make use of every one of your lenses. Macro for flowers, wide-angle for landscapes, long telephoto for wildlife, etc. You’ll have to decide how much to carry and what to concentrate on.

Best time to visit: Any time, but of course winter months will be cooler. Late April and early May will be better for wildflowers and nesting Ospreys too. We often heard Ospreys calling. It was fun to watch the parents bringing food back to their very demanding offspring!

Other:

There’s a nice beach and picnic area on Lake Louisa. If you swim there be careful though, there’s no life guard and there are alligators.

The park also is a popular place to bicycle, so bring yours if you have room.

The Florida Rambler website has a nice writeup on Lake Louisa and the cabins there.

The kayak launch at Lake Dixie across from the cabins is an easy put in. The one at Lake Louisa requires a long carry, so bring a friend or a kayak trolley if you plan to paddle there. You can also put in at the Crooked River Preserve just to the north of Lake Louisa and paddle down to the lake.

I didn’t get a chance (yet) to hike the many trails in the park. There are 9 main ones ranging from 1/2 to 5.5 miles and some of these lead to smaller lakes which might be very scenic.

The Citrus Tower is close to the park. It was built as a tribute to the citrus industry in the area. There’s a great view from 226 feet up, but a lot fewer orange trees visible now than there were in 1956 when it opened.

Cloudy in Clermont – View from the top of the Citrus Tower, looking south along HW27.

There are also many restaurants within a short drive from the park if you don’t want to cook in your cabin.

Summary

Lake Louisa State Park is a relaxing and scenic destination. It seems a world away from busy downtown Orlando. It’s perfect for a weekend get away. If you haven’t been there yet, you should go. I’m very glad we did.

Be sure to visit my Lake Louisa set on Flickr to see these and more photos.

My Gallery / Flickr photo set:	Lake Louisa set on Flickr.
Website:	http://www.floridastateparks.org/lakelouisa/
Address / Phone:	7305 U.S. Highway 27 Clermont, Florida 34714 (352) 394-3969
Central Florida Photo Ops Rating:	A CFL Photo Op must do!

Thanks for stopping by and reading my blog. Now, go make some photos!

Whether the Weather

February 23, 2014INSIDE FLORIDA, Merritt Island NWR, Orlando Wetlandsblack and white, boat, infrared, landscape, marina, panorama, pier, reflection, sunriseEd Rosack

I usually always leave early on photo expeditions so I can get somewhere in time to catch sunrise. I have many sunrise photos collected in this set on Flickr.

Lately, sunrise and I haven’t been getting along. I show up faithfully, but sunrise doesn’t. It’ll send its friend fog instead. Or it’ll come dressed in plain, clear sky attire instead of its fancy, colorful cloud costume. Or I’ll get frustrated and sleep in, and sunrise puts on a show without me. I don’t think it likes me anymore.

Marina reflections – Fog at the Titusville Marina. Panorama, looking east, just before sunrise.

Rock n dawn – clear skies at daybreak. Merritt Island National Wildlife Refuge

Orlando Wetlands Pano – I slept in on this morning and showed up at the park after sunrise when this front was coming through. I bet it was really nice before I got there.

Well, seriously – I am a bit frustrated that I haven’t captured a good sunrise in a while. But I know the weather and my luck will change eventually. And I enjoy getting out and seeing different things even when the sunrise isn’t at its prettiest.

There are a few things I do to try to maximize my chances with the weather. Persistence is probably the best solution. The more I go out photographing, the better my chances are of catching a good scene. And software can help. My main weather site is Weather Underground. I usually look at their hourly forecast with precipitation probabilities and cloud cover predictions. On my phone, I use Mycast and Dark Sky. Mycast has pretty good forecasts and I can look at IR clouds on its Map tab to see cloud cover even when it’s dark. The Dark Sky app has excellent short-term predictions – especially about rain. I also sometimes use Clear Sky Chart. It’s mainly an astronomy site, but does offer very good cloud cover predictions.

So yes, my relationship with sunrise photography hasn’t been the greatest lately. But I’m working on it. I’m sure we’ll eventually get back together. In the meantime, I’ll enjoy being outdoors and seeing whatever develops.

Thanks for stopping by and reading my blog. Now – go make some photos!

Panoramic alternatives – iPhones and more

November 17, 2013California, Chicago, INSIDE FLORIDA, Italy, St. Johns River, Techniqueblack and white, bridge, Colosseum, landscape, panorama, reviewsEd Rosack

If you’ve read this blog for any length of time, you know that I like panoramic photos. We’ve all been to many places where the view is so grand it doesn’t fit into a single frame. Sometimes you can’t capture what your eyes see with one camera exposure. So I started stitching panoramas together. My first few were way back in the film era (1999 or 2000). When I started using digital cameras, panoramas became easier and I’ve made many more since then. They help me avoid “tunnel vision” and show more of a scene. They’re also an excellent way to capture an image with a huge number of pixels – which allows for very large prints.

I often include panos in this blog. When I checked today, there are 33 different posts (over 10%) that are tagged “panorama”, including my very first one from May of 2007. For some panorama examples, look at this set of over 100 images on Flickr.

May 2007: View of San Francisco from Twin Peaks (6389 x 3110 pixels)

I’ve learned quite a bit about how to make panos, and in August of this year, I shared info on how I usually process them. That was a description of the detailed workflow I use to make the best quality image I can. It can be time consuming and requires care in capture as well as post processing. But if you put in the effort, the results are very good – and the files are much bigger than from a single frame. Here’s a recent example:

September 2013: Chicago skyline at twilight (11,175 x 4706 pixels)

But it turns out that my way isn’t the only way to make panos. There’s a much easier way to make them – here’s an example:

October 2013: Underneath the bridge over the St. John’s River by the old bridge and railroad trestle (7908 x 2692 pixels)

I made this pano with my phone. It’s not as large (2692 pixels on the short side compared to 4706), but you probably couldn’t tell much of a difference in quality unless you pixel peep. Using my phone is easier and if something is easier, people will do more of it – and more panos means better memories.

iPhones have had a built-in panorama mode for a while, and the latest versions bring a lot of processing power into it. The iPhone 5S does automagic adjustment of exposure across the frame, and stitches the results together in real-time as you sweep your phone. The results are fairly large files, and the quality is surprisingly good.

Here’s one more recent iPhone panorama example and proof of the saying that the best camera is the one you have with you:

November 2013: Interior panorama of the Roman Colosseum (Flavian Amphitheatre) – Photo by MK Rosack (used with permission)

Lets compare making panoramas on a phone with a multi-photo approach. I’ll use the iPhone 5S for this – your phone may be different.

	iPhone 5S	Multi-Photo
Capture convenience	Very high – you always have it with you	Low – You need to plan for it and carry your gear
Quickness	High – End result available very quickly. And can post right from the phone.	Low – Need to get home and run your software
Processing flexibility	Low – Done by the camera; Can adjust jpg result	High – Adjustments can be made throughout each processing step
Processing difficulty	Low – Done by the camera; Some amount of touch up may be needed	May be High, depending on software and source images
Raw capture	No – jpg only	Yes
Output size	Medium – Short dimension a max of 2448 pixels	High – DSLRs typically higher resolution than iPhone and you can make multiple rows if desired

So, should you use your phone for panoramas? Yes!

Should you always use your phone for panoramas? Not quite yet.

Phones are getting better all the time. And they’re getting better faster than cameras are getting better. Sooner or later, most people won’t want or need a dedicated camera. Right now I think phones are “good enough” in many cases, especially if you think about the trade-off between output quality and ease of use. For panoramas, the ease of use and convenience allows many people to make photos they otherwise wouldn’t. In my case, if I don’t have any other camera with me, I’m sure going to use my phone. But if I want the best quality image possible, I’ll still use my stand alone cameras when possible. Check again in a few years – the answers may be different.

Thanks for stopping by and reading my blog. Now – go make some panoramas! And don’t forget your phone!

Hillsborough River State Park

September 27, 2013Hillsborough River State Park, INSIDE FLORIDACypress, long exposure, panorama, rapids, river, rock, treeEd Rosack

For some reason, I’d never noticed Hillsborough River State Park until fellow Photography Interest Group member JT Smith asked me about it – thanks JT! There are a lot of photos of the park on Flickr, many of them quite nice. So I decided to go over on a scouting trip. Flickr’s a great place to research new locations and I spent a while going through their search results as well as Google maps before my trip.

Dark river in the deep woods. A Hoya 8 2/3 stop neutral density filter let me stretch my exposure time to 25 seconds at f/8 and ISO 100 to smooth the water surface.

The park is about 20 miles north-east of Tampa and an hour and 40 minutes west of where I live. Not too long a trip. With all the rain we’ve had recently, added water’s made the current look pretty fast through the rapids. My kayak would get a few scrapes paddling through this.

Hillsborough River rapids. I’m a sucker for Cypress Knees and it was a treat to find some by the rapids to use as foreground. Since the wind was blowing a bit, I made two exposures. A slow one (30 seconds with the ND filter), and another not so slow one (no filter, 1/13th second). To eliminate the blurred leaves, I combined them in Photoshop using layers and masking the first for the water and second for the foliage.

I want to see what this looks like when we haven’t had so much rain. I think a few more exposed rocks would be nice. Here’s one last image from the trip:

Hillsborough River. This is an Infrared, false color, three exposure panorama. This place is near the kayak put-in.

I’m going to make a return trip and bring my kayak. I think I’ll paddle the parts in the first and third photos and not the second.

Thanks for stopping by and reading my blog. Now – go make some photos!

And if you know of a good photo photo-op in Central Florida – please let me know. I love to explore new places.

St. Augustine, Florida and vicinity – photo hints

August 10, 2013INSIDE FLORIDA, Marineland Beach, Must do list, St. Augustinebeach, boat, cloud, coquina, door, fort, landscape, lighthouse, long exposure, panorama, people, street, sunrise, sunsetEd Rosack

Lynn was out-of-town last week at the Pressing Iron & Trivet Collectors of America Convention in Indianapolis, Indiana. I talked her into letting me out of my spousal support services subcontract, so I had a chance to sneak in a few days of photography while she was away. I spent the time in St. Augustine, Florida, which is “the oldest continuously occupied European-established settlement and port in the continental United States”. I’ve written about it many times (see this link) and it’s one of my favorite places to photograph. Photo ops abound and include landscapes, architecture, street scenes, beaches, historic landmarks, wildlife, and much more. It’s hard to go anywhere in the area and not come back with a photo! Here are some of mine along with hints on how I made them.
There are some wonderful sunrise and sunset spots. Friends told me about Marineland Beach (thanks Kevin M. and JT) which is just a little south of St. Augustine. It’s now one of my new favorites. The coquina rocks there worked really well as foreground objects in my photos.

Long exposure sunrise – Marineland Beach, Florida

This is a single exposure, made through a Hoya ND400 filter right after sunrise. The waves were coming in around me, but I stood my tripod on one of the rocks to keep us dry. I used my lowest ISO setting (50) and even with the sun in the frame, the 8 2/3 stop ND filter gave me a 14 second exposure at f/8 . The long shutter speed makes the water surface contrast nicely with the rock texture.

One thing you’ll run into in Florida on summer mornings is condensation. It’s so humid that if you take your camera gear directly from your air-conditioned room or car out into the moist air, you can expect 15 to 30 minutes of fog before they clear. You can decrease this by not running your car’s AC on the way. You can also seal your camera and lens in a plastic bag with as much air removed as possible until it warms up. And it’s a good idea to bring along a micro-fiber cloth to remove condensation if needed. The larger your camera / lens is, the longer it will take to warm up. This is one time that good glass works against you – at least until the temperature equalizes. One more point: try not to change lenses under these conditions. If water condenses on your sensor, it can be hard to remove and may cause dust to adhere to the surface.

The harbor and fort (Castillo de San Marcos) also provide interesting detail for sunrise or sunset and landscapes in general.

A calm morning in the St. Augustine harbor: Clouds to the north over the Castillo de San Marcos and the quarter Moon above the Bridge of Lions add interesting detail to this image.

This photo and the next were both multi-shot panoramas made with the techniques I described last week. Images like the harbor scene can be tough to blend due to smooth gradients in the sky and water. Be sure you check carefully and correct any glitches.

Another thing about summer in Florida: We have awesome afternoon thunderstorms. Clouds add a lot of drama to photos, but the storms were so bad on two of the days I was there that I couldn’t go out for sunset. Plan accordingly.

St. Augustine Sunset behind the Castillo de San Marcos

On this evening at the fort, there was a large thunder-storm to the west. The sky wasn’t colorful at all until the sun moved down below the thunder head, resulting in these shadows and rays. One big advantage of sunset photography vs. sunrise is that you can wait to see what develops. At sunrise, you need to be in place extremely early to see all the variations happen.

I had a great time walking around the fort at sunset with my large tripod and big DSLR camera. Most people were oblivious and walked right through my photos (I don’t blame them – I don’t own the place). I’d wait for a clear spot in the traffic and make another exposure. Other folks stood next to me since they thought wherever someone with a big camera is has to be a good spot. At one point, a tour guide in a pirate costume leading a group of 20 or so people saw me and stopped his group from walking in front of me until I finished my exposure. It turned out he’s a photographer too.

I wanted to try a night photo of the lighthouse. I also wanted to capture the look of the beam coming out of the light. This turned out to be a tough assignment. The contrast range is huge and there’s a lot of glare from the lights in the scene.

St. Augustine Light Station

I ended up merging two exposures. The first one was long (f/4 @ 3 seconds) at a low ISO (400) to decrease noise. The slow shutter blurred the light beam, so I made a second exposure (ISO 3200, f/4 @ 0.4 seconds) and this stopped the beam enough to highlight it. The second exposure had some noise, but was fine with a bit of post processing before I blended the two manually in Photoshop. I made this photo about an hour before sunrise. It was dark and there was no one around. One of my contacts on Flickr commented that spooky things happen in this area. I’m glad I didn’t notice any when I was there.

Tom M. met me up there on one of the days and we spent several hours just walking around. There were many interesting scenes, and I never saw any two doors alike.

Red door #33

We were walking down one street and saw someone in the distance photographing this house with his iPhone. He was really working it, making multiple photos / compositions and was still there when we arrived several minutes later. We waited for him to finish and when he looked up and noticed us he asked what kind of cameras we had. It turned out he’s a photographer too and was there on vacation, but forgot his Nikon D3S DSLR. He said using the iPhone was “very liberating”. Photo hint 101: If someone’s taking a picture, look at what he’s photographing – it might be interesting. Photo hint 102: Don’t forget your camera.

A little later, out of the corner of my eye, I saw this waiter zipping through traffic on the way to work. On a skate board. I managed to make a quick photo.

Morning commute – very eco-friendly

We also noticed this person reading on the bench. I really liked the symmetry of the columns and how they led my eye towards the subject. ~~Tom posted a different composition~~ (sorry – no longer available) that I think is really good too.

Reading.

By the way, if you have Lightroom 5, try out the “Upright” settings in the Lens Corrections panel on photos like the one above. It does a great job squaring things up.

Like I said, there’s a tremendous amount of photo-ops in the area. I didn’t make it by the St. Augustine Alligator Farm on this visit, but from March to June, it’s one of the best places in Florida to photograph a variety of wild birds nesting in the rookery there. I also didn’t get to Fort Matanzas. It’s a little south of the city and makes a nice side excursion. The Nombre de Dios Mission in the northern part of the city has a beautiful chapel and grounds as well as a view into the harbor. And I’m sure that there are a great many more photo ops that I still have to discover in this beautiful place.

You can see these photos larger if you click on them and I have many others from St. Augustine in this set on Flickr.

Thanks for stopping by and reading my blog. Now – go make some photos!

A Panorama Workflow Example

August 4, 2013Cameras and Photography, Techniqueblend, lightroom, Mount Blue Sky, mount evans, panorama, photoshop, stitch, technique, workflowEd Rosack

Intro

I had a question recently about how I process panoramas – so I thought I’d document my workflow using a recent image as an example. This will be a bit geeky. Next week I should have a more normal post after I finish selecting / editing photos from a visit to St. Augustine.

I was up on Mount Evans near Denver, Colorado with an Olympus E-PL5 camera and a 24-100mm equivalent lens. This is a 16MP camera and the mountains and valley were just too large to fit through that lens and onto that sensor. I really wanted to capture something that would give viewers a sense of the scene. So how did I make a 46MP (9608×4804) wide-angle panorama with the gear I had? Read on.

Mount Evans panorama – the completed 46MP image (click to see larger on Flickr)

This is a multi-photo panorama. Many cameras have a panorama capability built-in. I’m not sure if the E-PL5 has it, because I never use it. Why? I like the flexibility, control, and quality I can achieve with a manual process. I don’t like letting the camera decide everything automatically. And I like the result – huge, rich files that I can print large, or even crop to yield several different compositions.

In this post, I’ll write about using the software that I have (Lightroom V5 and Photoshop CS6) but the concepts are similar no matter what software you have. You’ll need to interpret / apply this info to your own tools and workflow. There’s four main phases: 1) Capture, 2) Initial Adjustments in Lightroom, 3) Photoshop stitching and processing, and 4) Final Lightroom tweaks. I’ll give you some hints about each.

Capture:

Carefully capturing the input frames is extremely important to the end result. Input variations can be hard for software to handle, so try to minimize differences. You should use manual white balance, exposure, and focus.

For horizontal panoramas, shoot vertical frames and overlap them by thirty to fifty percent but not more. Too many frames means more seams, and this could add problems you’ll have to fix. If this happens, try removing a frame – it might not impact the final image.

I shoot either on my tripod or handheld. If there’s enough light, I’ve had good luck shooting handheld. I’m careful to keep the camera level and use a grid line or focus mark in the view finder aligned with the horizon as a guide.

I always shoot in RAW format, but the stitching will of course work with JPG input frames. It’s best to use a camera / lens supported by Lightroom so that you can correct lens distortions. If you don’t, the distortions can build up across the stitched images and look especially bad when there are straight lines in the scene.

Initial Adjustments in Lightroom:

I load the images into Lightroom and adjust them all identically. I aim for a neutral, low contrast setting across all images. I enable distortion correction and usually turn off sharpening / noise reduction (and deal with them in later steps).

Be conservative with the highlights – I’ve found that stitch software may blow out parts of the image when attempting to blend between frames. I’ll dial down highlights if I have any concern. If I didn’t use manual exposure, I may also try to match white and black points in all the histograms.

The seven source images in Lightroom after the initial adjustments

Photoshop stitching and processing:

Once I’ve got the frames adjusted in Lightroom, I open them as layers in Photoshop. This allows me to try different auto align algorithms (under the Edit / Auto-Align menu), undo them, and try again if there are issues. For the wide-angle shots I usually make, the cylindrical alignment method seems to work best. I check the result at 100%. Sometimes the software doesn’t line up the most important parts of the image perfectly and I’ll use the move tool to make small adjustments.

Seven source images opened as layers in Photoshop and auto aligned.

Next I’ll do the blending (Edit / Auto-Blend). Then I look for variations across the image (most often in smooth sky). You can see the leftmost frame above is a bit darker. If the auto blend hasn’t worked well enough, I’ll undo it and tweak the levels or curves in each layer and then re-blend.

Once I’m happy with the blend, I’ll flatten the layers, and then rotate and crop the image. I don’t do final cropping at this point – I save that for the later in Lightroom. It’s OK to leave a bit of white around the edges. In CS6, content aware fill can fix those for you. If you do use Content Aware Fill, review those areas at 100% for flaws. You might need to touch them up with the clone tool. This is also the time to do any other cloning the image needs.

In Photoshop after auto blend, merge layers and initial crop / straighten

Now do your noise reduction on a new layer. I use Topaz DeNoise 5, but other software works well too. I just like the user interface in this plug-in. Check the result at 100% again and decide whether to apply it to the whole image or selectively. Most of the time I add a layer mask to the noise layer and apply it to the sky and / or smoother parts of the image only. This preserves detail where the noise isn’t obvious (ground, trees, etc.).

Final Photoshop edit after content aware fill, noise reduction on the sky and a dose of Topaz Clarity

I’ll then merge the layers (shift-alt-command-E) and play around with various filters (Nik Color Effects Pro or HDR Efx, Topaz Clarity, etc.) to get to something close to what I want. Then I return to Lightroom.

Final Lightroom tweaks:

Final steps in Lightroom are sharpening, any tweaks to white balance, exposure, white and black points, cropping, etc.

Output in Lightroom after final adjustments (White Balance, exposure, sharpening, cropping, etc)

Conclusions

This workflow takes time. Is every scene worth all this? Nope – I only go through it if I think the final image will be worth it. Even so, sometimes I’ll start the process and stop when I realize that the composition didn’t turn out. You’ll have to decide whether it’s worth the time and effort to you.

I hope I’ve given you some insight. Try it yourself and please let me know how it turns out. Even if you don’t go through the whole thing, some of the info might be useful. I’d be happy to answer your questions. The best place to ask them is in the comments for this post so they’ll help others.

Thanks for stopping by and reading my blog. Now – go make some really big photos!

Colorado: New vs. Familiar

July 20, 2013Colorado, Must do list, OUTSIDE FLORIDAbirds, black and white, Bristlecone Pine, Hummingbird, infrared, landscape, Mount Blue Sky, mount evans, mountain, panorama, reflection, treeEd Rosack

I was in Colorado last week and had a chance to go sightseeing in the mountains near Denver. Whenever I visit, I find it to be so scenic and photogenic that it overwhelms me. It’s different from what I normally see at home here in Florida and I want to make photos of everything.

Valley of sunbeams and shadows – Don’t miss Mount Evans if you ever get to Denver in the summer time. This is a four image panorama from near the summit, about 13,500 feet.

I find when I get back from a trip like this and go through my images, most don’t have the impact that I felt at the time. My “keeper” rate seems lower than from local trips. Maybe this is because I’ve photographed in Florida so much that I don’t see as many new things when I go out – so I make fewer photos. Luckily, I did end up with some that I really like from Colorado.

The Chapel on the Rock (Saint Catherine of Siena Chapel) – This is in Allenspark, Colorado, south along Route 7 out of Estes Park on the grounds of the Saint Malo Retreat. We didn’t know this was on our route. It’s wonderful to discover something unexpected like this while on a drive. Another 4 image pano.

I guess we humans are hardwired to find new and unfamiliar things more interesting. And familiarity can breed complacency. Do people in Colorado get used to the mountains and sleep in some days instead of getting up and out to see and photograph them? Like we sleep in here instead of getting up to go out into a world-class wildlife refuge like Merritt Island?

Bristlecone pine trees – Some of the trees in the Mount Goliath Natural Area are over 1,600 years old. I used my IR modified Olympus E-PL1 for this photo. Yes, it’s one more 4 image pano.

Wildlife is different out there too. Some non-Florida species I saw included six new life birds (Steller’s Jay, Gray Jay, Common Raven, Black-billed Magpie, Dark-eyed Junco, and a Broad-tailed Hummingbird) as well as plenty of Mountain Goats, Marmots and Chipmunks.

Broad-tailed Hummingbird – Behind my Sister’s house in Littleton, Colorado. These birds look very similar to the Ruby-throated Hummingbirds we have in Florida, but the Broad-tailed doesn’t have a black chin. No, this is not a pano.

I wonder if Florida’s unique landscapes and wildlife are as interesting to people visiting here as Colorado’s are to me when I’m out there?

Here are two earlier posts about Mount Evans: Mt. Evans and Mt. Evans Redux. You can view other Mount Evans photos here on Flickr. And this set on Flickr has more Denver area photos.

Thanks for stopping by and reading my blog. Now – go make some photos – of new and of familiar things!

Space Shuttle Atlantis Exhibit – Kennedy Space Center

July 5, 2013INSIDE FLORIDA, Kennedy Space Center, Must do listAtlantis, Kennedy Space Center, launch, panorama, reviews, shuttle, spaceEd Rosack

At the end of the space shuttle program, four different locations received an orbiter from NASA: Kennedy Space Center, the California Science Center, the Smithsonian Air and Space Museum in DC, and the Intrepid Sea, Air, and Space Museum in New York. KSC got the Atlantis, which was the last shuttle ever launched. The Atlantis Shuttle Experience grand opening ceremony was on Saturday, June 29, 2013. It’s been a while since I’ve been to the Visitor’s Center, so I decided to go over and see what it’s like.

Space Shuttle Atlantis side view panorama – It’s displayed as if in orbit, with the cargo doors open, a satellite in the bay and the robot arm deployed.

In short, this new exhibit is outstanding. At the entrance to the building, there’s a full size model of the solid rocket boosters and fuel tank assembly. You enter and walk up a ramp to a room with a movie about the history of the shuttle program. Then you move into a second room with another movie about the launches before you finally enter the exhibit hall itself. The Atlantis is suspended as though it’s in orbit and you’re free to walk all around it and explore on several levels. In places you’re almost within arms reach – close enough to see a lot of detail including re-entry marks on the tiles. The hall also has many other exhibits including satellites, a transport van, space suit, a space station mock-up your kids can run through, and a group of simulators you can try including several where you attempt to land (OK if you must know, I crashed my simulated shuttle – but not too hard).

Space Shuttle Atlantis – front view

To put this into perspective, I went back through my photo archives to see if I had any previous photos of Atlantis and found several. Here are two – you can see they’re not as close up as the new ones are:

Atlantis on the pad in October 2009 before the STS 129 mission – This is as close as I got to a shuttle while they were operational.

Atlantis launch on STS 117 in June of 2007, just after SRB separation (made from Orlando, ~50 miles away)

And finally, here’s one last photo from my trip this week. It shows the Astronaut’s Memorial. In the background on the left you can see the Solid Rocket Booster assembly that stands in front of the building housing the Atlantis.

Astronaut’s Memorial – also known as the Space Mirror Memorial. The Atlantis Experience entrance is behind and on the left.

Photo hints: The light inside the exhibit hall is mixed so be careful with your white balance or shoot in RAW so you can adjust it in post processing. The lighting is also a bit dim. I shot at ISOs between 800 and 1600 with an aperture of f/4 and a shutter speed between 1/15 and 1/60 sec. I didn’t use a tripod, but I did have vibration reduction / optical stabilization. Atlantis is large – a wide-angle lens will help you fit all of it in the frame. I used a 24 – 120mm zoom lens and it worked well for most photos. I did have to make a multi shot panorama for the horizontal view above.

Here’s a link to my previous post on Kennedy Space Center. Here’s a link to the entry for the Atlantis on Wikipedia. Boing Boing has a really good review of the exhibit at this link. And here are some other links to news about the Atlantis Exhibit opening:

~~Florida Today~~ (sorry, no longer available)

USA Today

Space.com

I’ve posted other Kennedy Space Center photos in this set on Flickr. Also, I’ve licensed the first photo above as Creative Commons. It’s free for non-commercial, no derivative use as long as you provide attribution. If you’d like to see / download a high-resolution version (~80MP), click it to go to Flickr. Then click on the “…” symbol at the bottom right of the photo and select “View all sizes”.

Living in Central Florida for so long, I feel a personal connection to the space program and I was extremely impressed with the Atlantis Exhibit. This vehicle flew 33 separate missions between October 1985 and July 2011 covering hundreds of orbits and over 126 million miles. It’s awesome to see something like this up close and I’m very grateful it’s nearby. But at the same time, it makes me a little sad. The shuttle program was wonderful, but it’s over now. With all the other competing priorities, will we ever have an ambitious space program again? I hope so.

Thanks for stopping by and reading my blog. Now – go make some photos!