I wanted to check on the Osprey nest in downtown Winter Park, Florida. I decided to leave (very) early so I could also make some night time / low light photos in the area. I’ve done that before (see: /https://edrosack.com/2015/10/03/winter-park-at-night/). Here are a few of the results from this time.
Colony Theater Building
The Colony Theater on Park Avenue in Winter Park Florida first opened in 1940. Matinees during WW II cost 39 cents. The theater closed in 1975 and was converted to retail space (see winterparkmag.com/history/). It’s still photogenic. This is a single frame (ISO 100, 26mm, f/8 @ 3.2 sec.)
Bright blooms at night
When I saw that planter in full bloom in front of an interesting building across the street, I knew I had to make a photo. But I wanted everything in focus and both the flowers and the building / lights well exposed. I made three frames: one focused and exposed for the flowers (ISO 100, 35mm, f/8 @ 20 sec.) and two more focused on the building (ISO 100, 35mm, f/8 @ 10 sec. and 4 sec). I did an HDR blend of the building exposures in Lightroom, and loaded the result along with the flower exposure into separate Photoshop layers. There, I aligned and masked the sharp flowers into the building layer. It took a few minutes, but I like the result.
This one is a three frame exposure bracket (ISO 100, 24mm, f/8 @ 4, 10, and 20 sec.). I first called it “Empty street”, but then noticed the three ghostly figures and changed the title. The header image in this web post is an enlargement of the center.
Very early train
I set up and made a test shot while I waited for a train to come through (ISO 100, 53mm, f/7.1 @ 25 sec.). I wanted a long exposure to show a lengthy train streak. When I looked at the image later on my computer, I didn’t like the way the train headlight changed the lighting on the trees, so I ended up using the test frame as the base image and blending in the train streak from the other frame. I’m glad I had that test shot to use!
Anyway, I like how these turned out and I thought maybe you’d be interested in a brief overview of how I made them. And by the way, Momma Osprey was on the nest but I don’t think any chicks have hatched yet. I’ll try to go back and get some photos of them.
Thank you very much for stopping by my blog! Your visits, comments, and likes are always welcome and a big motivator for me. Stay positive, be kind, take care of yourselves and each other. And if you can, make some photos!
Lynn was out-of-town last week at the Pressing Iron & Trivet Collectors of America Convention in Indianapolis, Indiana. I talked her into letting me out of my spousal support services subcontract, so I had a chance to sneak in a few days of photography while she was away. I spent the time in St. Augustine, Florida, which is “the oldest continuously occupied European-established settlement and port in the continental United States”. I’ve written about it many times (see this link) and it’s one of my favorite places to photograph. Photo ops abound and include landscapes, architecture, street scenes, beaches, historic landmarks, wildlife, and much more. It’s hard to go anywhere in the area and not come back with a photo! Here are some of mine along with hints on how I made them.
There are some wonderful sunrise and sunset spots. Friends told me about Marineland Beach (thanks Kevin M. and JT) which is just a little south of St. Augustine. It’s now one of my new favorites. The coquina rocks there worked really well as foreground objects in my photos.
Long exposure sunrise – Marineland Beach, Florida
This is a single exposure, made through a Hoya ND400 filter right after sunrise. The waves were coming in around me, but I stood my tripod on one of the rocks to keep us dry. I used my lowest ISO setting (50) and even with the sun in the frame, the 8 2/3 stop ND filter gave me a 14 second exposure at f/8 . The long shutter speed makes the water surface contrast nicely with the rock texture.
One thing you’ll run into in Florida on summer mornings is condensation. It’s so humid that if you take your camera gear directly from your air-conditioned room or car out into the moist air, you can expect 15 to 30 minutes of fog before they clear. You can decrease this by not running your car’s AC on the way. You can also seal your camera and lens in a plastic bag with as much air removed as possible until it warms up. And it’s a good idea to bring along a micro-fiber cloth to remove condensation if needed. The larger your camera / lens is, the longer it will take to warm up. This is one time that good glass works against you – at least until the temperature equalizes. One more point: try not to change lenses under these conditions. If water condenses on your sensor, it can be hard to remove and may cause dust to adhere to the surface.
The harbor and fort (Castillo de San Marcos) also provide interesting detail for sunrise or sunset and landscapes in general.
A calm morning in the St. Augustine harbor: Clouds to the north over the Castillo de San Marcos and the quarter Moon above the Bridge of Lions add interesting detail to this image.
This photo and the next were both multi-shot panoramas made with the techniques I described last week. Images like the harbor scene can be tough to blend due to smooth gradients in the sky and water. Be sure you check carefully and correct any glitches.
Another thing about summer in Florida: We have awesome afternoon thunderstorms. Clouds add a lot of drama to photos, but the storms were so bad on two of the days I was there that I couldn’t go out for sunset. Plan accordingly.
St. Augustine Sunset behind the Castillo de San Marcos
On this evening at the fort, there was a large thunder-storm to the west. The sky wasn’t colorful at all until the sun moved down below the thunder head, resulting in these shadows and rays. One big advantage of sunset photography vs. sunrise is that you can wait to see what develops. At sunrise, you need to be in place extremely early to see all the variations happen.
I had a great time walking around the fort at sunset with my large tripod and big DSLR camera. Most people were oblivious and walked right through my photos (I don’t blame them – I don’t own the place). I’d wait for a clear spot in the traffic and make another exposure. Other folks stood next to me since they thought wherever someone with a big camera is has to be a good spot. At one point, a tour guide in a pirate costume leading a group of 20 or so people saw me and stopped his group from walking in front of me until I finished my exposure. It turned out he’s a photographer too.
I wanted to try a night photo of the lighthouse. I also wanted to capture the look of the beam coming out of the light. This turned out to be a tough assignment. The contrast range is huge and there’s a lot of glare from the lights in the scene.
St. Augustine Light Station
I ended up merging two exposures. The first one was long (f/4 @ 3 seconds) at a low ISO (400) to decrease noise. The slow shutter blurred the light beam, so I made a second exposure (ISO 3200, f/4 @ 0.4 seconds) and this stopped the beam enough to highlight it. The second exposure had some noise, but was fine with a bit of post processing before I blended the two manually in Photoshop. I made this photo about an hour before sunrise. It was dark and there was no one around. One of my contacts on Flickr commented that spooky things happen in this area. I’m glad I didn’t notice any when I was there.
Tom M. met me up there on one of the days and we spent several hours just walking around. There were many interesting scenes, and I never saw any two doors alike.
Red door #33
We were walking down one street and saw someone in the distance photographing this house with his iPhone. He was really working it, making multiple photos / compositions and was still there when we arrived several minutes later. We waited for him to finish and when he looked up and noticed us he asked what kind of cameras we had. It turned out he’s a photographer too and was there on vacation, but forgot his Nikon D3S DSLR. He said using the iPhone was “very liberating”. Photo hint 101: If someone’s taking a picture, look at what he’s photographing – it might be interesting. Photo hint 102: Don’t forget your camera.
A little later, out of the corner of my eye, I saw this waiter zipping through traffic on the way to work. On a skate board. I managed to make a quick photo.
Morning commute – very eco-friendly
We also noticed this person reading on the bench. I really liked the symmetry of the columns and how they led my eye towards the subject. Tom posted a different composition (sorry – no longer available) that I think is really good too.
By the way, if you have Lightroom 5, try out the “Upright” settings in the Lens Corrections panel on photos like the one above. It does a great job squaring things up.
Like I said, there’s a tremendous amount of photo-ops in the area. I didn’t make it by the St. Augustine Alligator Farm on this visit, but from March to June, it’s one of the best places in Florida to photograph a variety of wild birds nesting in the rookery there. I also didn’t get to Fort Matanzas. It’s a little south of the city and makes a nice side excursion. The Nombre de Dios Mission in the northern part of the city has a beautiful chapel and grounds as well as a view into the harbor. And I’m sure that there are a great many more photo ops that I still have to discover in this beautiful place.
You can see these photos larger if you click on them and I have many others from St. Augustine in this set on Flickr.
Thanks for stopping by and reading my blog. Now – go make some photos!