Just a short post today with an idea for local photo-ops: How about the parks in your own neighborhood?
I wanted to try out the D7000 on some landscape photos, but didn’t really have time to go anywhere special. Instead, I went out to three local parks and made the photos below.
You’ve seen this tree before – it’s along the shore of Lake Jesup in Central Winds Park. I like this more complete composition, since it includes the cyprus knees.
Cyprus tree and knees
This next one was made at Lake Marie in Trotwood Park. There are almost always at least a few birds in this small lake and last night was no exception.
The geese aren’t watching the sunset
And finally, here’s one from this morning at Sam Smith Park. It was very quiet – almost no wind, which helps wonderfully with reflections in water. The cyprus trees here in Florida do change colors for the winter – the one on the left is starting to turn.
Update (1/8/2012): Gatorland has re-instated their photo pass. See their blog post here.
Gatorland in Orlando announced on their Blog that they’re canceling the 2011 Photographers Pass Program. This is very unfortunate for bird photographers, since the early entry / stay late times are during the best light of the day and when there are no “civilian” crowds.
The Alligator Farm in St. Augustine has issued an announcement in response on their mailing list saying that they will continue their Photo Pass / early entry program.
I’m coming down with another cold and wasn’t very enthusiastic about going to Viera Wetlands yesterday. Actually, “not very enthusiastic” is a big understatement. I almost didn’t get out of bed – but now I’m glad I did.
We had to leave at “O dark thirty” to get to the west side of the wetlands just before sunrise. I wanted to try the D7000 out on landscapes and it performed very well. The image below is a single exposure of the sunrise. I don’t care too much for silhouettes – I like to have some detail and color in the shadows. For this one, I exposed at -2 EV to prevent blowing out the sky and then brought up the shadows in post processing. The D7000 recorded a very broad dynamic range and has remarkably little noise in the shadows at base ISO, even when under exposed. This real world example, along with the the results from the recent DxOMark test of the D7000 indicate it’s going to be a very fine landscape camera. The only problem is that I don’t have a very wide lens for it.
Sunrise at Viera Wetlands, D7000, ISO 100, 1/100 sec. @ f/11, 16 mm
As we were photographing the sunrise, an otter swam by right in front of us just past those reeds (about 8 – 10 feet away). That’s the closest one’s ever come to me in the wild. Of course, I didn’t have the right camera set up so I didn’t get a photo. I think the otter knew that, and swam by just to tease us. We saw it a couple more times but could never get a shot off. Those things are quick. And black. And hard to photograph.
After the sun was up, we drove around the wetlands and came up on this:
Bald Eagle on dead tree, D7000, ISO 320, 1/500sec. @ f/8, 500 mm
This eagle was just surveying the area. I did get a few images when it flew off, but none blog worthy. I need more Birds in Flight practice, especially at 500mm!
The sun was up, but still low in the sky as we saw some cormorants sitting on a viewing platform. The light was hitting this one just right to show off the detail in his dark feathers.
Cormorant, D7000, ISO 220, 1/500 sec. @ f/8, 500 mm
Here’s one more photo I want to show you. This little fellow was digging around in the reeds along with several birds. I’m not sure what they were after, but it might have been snails – we saw a lot of them yesterday. This image is a good example of the D7000 at ISO 1600. Very usable with minimal noise.
Rocky Raccoon, D7000, ISO 1600, 1/500sec. @ f/9, 500 mm
Today I feel a bit worse, so I’m glad I went out yesterday. Hopefully I’ll start feeling better tomorrow.
Note: you can click on any of these to go to Flickr where you can see a larger version. You can see more of my Viera Wetlands photos in this set.
I was at Viera Wetlands yesterday and came up on this scene. The pair of birds was about 30 feet away and I was using a long telephoto lens (Sigma 150 – 500 OS, @ 500mm) and shooting hand held. To keep my shutter speed high (1/1000 sec), I had my aperture set to f/8.
Under these conditions, the depth of field (DOF) was so shallow (about 6 inches) that I couldn’t get both birds in focus at the same time. I could have stopped down to f/16, which would increase the DOF to about 12 inches, but that still might not have been enough – and the risk of motion blur would increase when the shutter speed slowed down.
So how can you overcome such shallow depth of field? Here’s how I did it:
Make two exposures, one focused on the front bird and one focused on the rear one.
In Lightroom, do your preliminary adjustments so the images’ appearance matches as closely as possible. You want to keep the background around the birds as similar as possible in the two images.
Open both in Photoshop, and move them into a single file as layers. Put the base image (the one with the front bird in focus) in the background layer. The top layer then has the rear bird in focus.
Select both layers and use the Edit/Auto-Align Layers to line things up.
Insert a Layer Mask (hide all) on the top layer.
Now you’re all set to paint the in focus rear bird into the image with the front one in focus. Select the layer mask and use a white brush color to paint the rear bird in. If you make a mistake or need to back something out you can change your brush color to black to erase the top layer. You can also play with the brush hardness and opacity to feather things in.
Once you’re happy with the result, flatten the image and make your final adjustments.
“But Ed,” you say “isn’t this cheating?” It depends. If you’re a photojournalist reporting on Great Egrets in Viera Wetlands and how close they often come to each other, then yes it might be. Journalists must meet ethical standards. On the artistic side, you’re trying to represent what your eyes (which have a greater DOF) or mind sees. So in this situation it isn’t cheating. You’re using the tools available to make the image you want.
“But Ed,” you say “this is too much work!” It depends. Some images are worth the effort and many are not. There’s software you can buy to automate this sort of thing for you. Photoshop can do it too. But the automated software requires very careful set up and in most cases a tripod, and many exposures with small changes in focus for each one. In this situation, I only needed two photos, one for each bird. Alignment between the images isn’t critical since I’m only using a small portion of the second one. So it’s fairly easy to show the pair of Egrets and not be distracted by having one out of focus.
Lynn and I went out to Viera Wetlands this morning to survey the wildlife that’s around and so I could get a little more field testing in on the Nikon D7000. Once again, this great birding spot didn’t disappoint us and although the activity and number of birds were down a bit from their peak during the nesting season, we found plenty to see and photograph.
I’m shooting the D7000 in RAW & fine jpg mode, but using only using the jpg files until later when RAW is supported by ACR and Nikon CaptureNX2. So far, it’s definitely living up to my expectations. The combination of more pixels and improved sensitivity is a great for bird photography. Here’s one shot I did early in the morning, before the almost full moon set:
Great Egret, Ibis, and Moon, Nikon D7000, ISO 100
On this photo, I cheated a bit. The depth of field on the Sigma 150 – 500 @ 500mm and f/7.1 is too shallow to hold the moon in focus along with the tree and birds. So I made a second exposure focused on the moon and masked it in using Photoshop.
I set up the camera in auto-ISO mode and let it respond to the varying lighting conditions so that I could see how it performed over a range of ISO sensitivities. At ISOs up to 1000, there is very little noise. I need to do some comparisons with RAW files, but so far, it looks to me like the ISO performance of the D7000 is at least a 1/2 stop better than the D90. Here is one example from today at ISO 900:
A pair of Limpkins share a snail snack, Nikon D7000, ISO 900 (Try repeating that caption 3 times fast!)
Here is another, un-cropped photo of a Great Blue Heron:
Great Blue Heron keeps watch, ISO 280
One of the comments on these photos today on Flickr was “You’re lucky to be in an area with amazing wildlife.” I couldn’t agree more. And that’s just one of the many ways that I am so very lucky.
You can click on the photos above to view them on Flickr. I’ve also uploaded several more in this D7000 set on Flickr (sorry, no longer available). Many of them are in high-resolution so that you can better judge the image / camera quality. You can also view more photos I’ve made at Viera Wetlands here in this set.
So far, I’m very pleased with the Nikon D7000. I’ve posted a few sample photos on Flickr in this set (sorry, no longer available). They were all uploaded at full resolution and all but this one of a very cooperative Red-Shouldered Hawk are un-cropped.
Red-shouldered Hawk, D7000 at ISO 220
I haven’t had a chance to do any direct comparisons, but the D7000 results seem very good all the way up to ISOs above 1000. With the D90 I’ve been reluctant to use anything above ISO 800.
The photos I’ve posted so far were all made in JPG. I took them in RAW+JPG mode, but so far Adobe Camera Raw and Nikon CaptureNX2 can not process the RAW files. To do a real comparison of the performance at different ISOs, I’d like to use the RAW files without any adjustments. A project for another day.
Do you ever just go wandering around, exploring new areas? Not to make photos, but hoping in the back of your mind that a good photo might show up in front of your lens? Sometimes I do. And sometimes it happens.
One day back in July of 2007, I drove over to Sanford, Florida and stopped by the boat ramp. As I watched the sun rise, I kept my eye on some seagulls flying around over the water. When the sun went into those clouds and the very pretty rays showed up – I framed my shot and started walking over toward the gulls, shooting in continuous mode. I was hoping for something exactly like this, and when I got home I was happy with how it turned out.
So, I’m just wondering. Would you ever drive to a boat ramp at sunrise for a photo-op? Maybe, maybe not. When you’re just out wandering around with your camera, your expectations are different. The photo pressure’s off. It’s OK to go home without a 4 or 5 star image. But the opportunities for photos may be a lot more varied than if you set off with a specific photo goal in mind. And if you do come home with a nice photo or two it’s a bonus.
So, just go wandering. And keep your eyes and mind open to the beautiful nature show happening all around you. And take a camera.
P.S. We drove by the Lake Jesup wildflower fields this morning and they’re just about all gone. If you didn’t make a photo there this year, you’ll have to wait until late next September for your chance.
Lukas Nursery is a family owned business in Oviedo, Florida. You can find all sorts of plants and garden supplies in their well stocked nursery and they also have a small Butterfly Encounter where three of us from the Photography Interest Group went exploring last Saturday.
We were there when they opened at 9am so we could try to avoid the mid-day heat. Inside the Butterfly Encounter, they have a nice gift shop where you pay your $5 entrance fee. When you enter the butterfly area itself, there are a great many beautiful flowers and at least three types of small, colorful birds – but unfortunately there weren’t very many butterflies visible on the day we were there. I’ve been once or twice in the past when they were more plentiful. I wonder if this is a seasonal thing or we just caught them in between re-supplies? We did have fun stalking the butterflies we found and angling for good photos.
Info for Photographers
Photo hints: This is a good place to practice using your flash. I tried both the pop-up flash on my camera and an off camera flash triggered by the pop-up. With flash, you should be able to use a small aperture to increase your depth of field. If you want to experiment further, you can shoot in manual mode using a shutter speed within your camera’s flash sync range. Then vary the flash output and your shutter speed / aperture to control the ratio of foreground and background lighting to isolate your subjects.
Tripod/Monopod: Not prohibited, but there isn’t much room inside for a tripod so you should be polite and bring a monopod at the very most. In the confined spaces and with my subjects moving around, I left both my tripod and monopod home and hand held all my photos.
Lenses: A longer macro lens will be helpful. I had some success with my 105mm macro on a crop sensor body. You may also want to bring one of your longer zoom lenses to get close to butterflies that perch up high in the vines.
Best time to visit: Avoid the summer – it gets very hot inside. Think about calling ahead to check on the the butterfly population.
Other: Don’t forget to look for flower and bird photos too!
Last year during wildflower season, I hesitated to venture out into the Lake Jesup Wilderness Area in the dark. I’ve seen several types of animals and birds out there and never any snakes, but it sure does seem like prime snake country to me. And I don’t relish stepping on something dangerous in the tall growth and dim light. This year, I was a little braver (and very careful) and got out into the wildflower fields just as the sun came up.
Lake Jesup Wildflowers– Narrow leaf Sunflowers, also called “Swamp Sunflowers
It’s not too late for you to go out and see this wonderful explosion of nature, but it will be too late soon. This morning, the blooms seemed to be just about at their peak, and they fade quickly.
You can see other photos I’ve made out there in this Flickr set. For more information, here are two other posts about this area:
At 310 miles, the St. Johns is the longest river in Florida. It’s one of the few rivers in the US that flow from south to north. Near Orlando it forms the dividing line between Seminole and Volusia counties, and it’s a favorite destination for fishermen, boaters, and folks on jet skis. It should be a favorite destination for photographers, too.
A beautiful place to catch some fish
Vince invited Tom and I out on his boat for a photo expedition a while back. We finally took him up on his offer a couple of weeks ago. We were up early, put in near the I-4 bridge right around dawn, and motored north.
There’s a rule of thumb about sunrise and sunset. The rule of thumb is that there’s no rule of thumb telling you when the good colors / conditions will occur. You have to hang around and keep making photographs until you’re sure the show is over. The next photo is a good example of this rule (or is it a lack of rules?):
The St. Johns River near Blue Springs
When we first got out on the river around sunrise (~7am), there was some color in the sky, but nothing spectacular. About an hour later the conditions were quite different and much more photogenic.
This image is a 5 frame panorama that I merged in Photoshop. I made the exposures hand-held from a moving boat, so they weren’t aligned all that well. In post, I first ran all 5 RAW frames through Lightroom and adjusted several parameters identically, including color balance, lens profile, and camera profile. Then I moved to Photoshop to do the merge. After that, I worked on it a little more to take a small curve out of the shoreline, and then used Topaz Denoise 5 to selectively reduce the residual noise that you could see in the full res version. The last step was to add a duplicate layer and run it through Topaz Adjust 4. Back in Photoshop, I modified the transparency of the resulting layer and the strength of the Topaz filter. I also selectively erased portions of the Topaz layer until I liked the result.
Info for Photographers
Photo hints: We saw many kinds of birds and several alligators. But the wild life doesn’t like power boats very much. We had a hard time getting close to any of the birds, and alligators would see or hear us coming and submerge long before we got close to them. If you have time, you might try coasting in from a longer distance – but that could take a while and we didn’t try it so I can’t tell you whether it will help. You can also look for alligators on docks. They don’t seem to be as skittish when they’re out sunning themselves. In fact, they seem quite friendly.
Gators always smile at you, but this one was even waving!
Tripod/Monopod: They won’t do you much good on a moving boat, so save yourself some trouble and don’t bring them unless you’re going ashore.
Lenses: The boat motion will also make hand holding a long lens difficult, so don’t bother bringing really long glass either. Instead, carry your wide-angle lens and maybe a short telephoto or zoom.
Best time to visit: Early in the morning on a calm day before the other boats show up. The water should be calm, undisturbed, and very scenic. And you can get some photography in before it gets too hot.
Calm, dawn light
Other: There are several places to stop and eat along the river. If you want to grab lunch ashore, do some research first. Also, if you don’t have a friend with a boat, don’t let that stop you. Nearly every marina we passed had pontoon and house boats for rent.
By the way, if you’re visiting Florida you may not know that it’s probably not a very good idea to swim in the river. The alligator in the photo above was about 5 feet long. It (along with some larger relatives) lives in the river. We also occasionally have people infected with water-borne diseases (such as amoebic meningoencephalitis), although that usually occurs in lake water.
Summary
We had a great time and were very grateful to Vince for taking us out. I got a photo or two that I really like.
