Category Archives: Technique

A Panorama Workflow Example

August 4, 2013Cameras and Photography, Techniqueblend, lightroom, Mount Blue Sky, mount evans, panorama, photoshop, stitch, technique, workflowEd Rosack

Intro

I had a question recently about how I process panoramas – so I thought I’d document my workflow using a recent image as an example. This will be a bit geeky. Next week I should have a more normal post after I finish selecting / editing photos from a visit to St. Augustine.

I was up on Mount Evans near Denver, Colorado with an Olympus E-PL5 camera and a 24-100mm equivalent lens. This is a 16MP camera and the mountains and valley were just too large to fit through that lens and onto that sensor. I really wanted to capture something that would give viewers a sense of the scene. So how did I make a 46MP (9608×4804) wide-angle panorama with the gear I had? Read on.

Mount Evans panorama – the completed 46MP image (click to see larger on Flickr)

This is a multi-photo panorama. Many cameras have a panorama capability built-in. I’m not sure if the E-PL5 has it, because I never use it. Why? I like the flexibility, control, and quality I can achieve with a manual process. I don’t like letting the camera decide everything automatically. And I like the result – huge, rich files that I can print large, or even crop to yield several different compositions.

In this post, I’ll write about using the software that I have (Lightroom V5 and Photoshop CS6) but the concepts are similar no matter what software you have. You’ll need to interpret / apply this info to your own tools and workflow. There’s four main phases: 1) Capture, 2) Initial Adjustments in Lightroom, 3) Photoshop stitching and processing, and 4) Final Lightroom tweaks. I’ll give you some hints about each.

Capture:

Carefully capturing the input frames is extremely important to the end result. Input variations can be hard for software to handle, so try to minimize differences. You should use manual white balance, exposure, and focus.

For horizontal panoramas, shoot vertical frames and overlap them by thirty to fifty percent but not more. Too many frames means more seams, and this could add problems you’ll have to fix. If this happens, try removing a frame – it might not impact the final image.

I shoot either on my tripod or handheld. If there’s enough light, I’ve had good luck shooting handheld. I’m careful to keep the camera level and use a grid line or focus mark in the view finder aligned with the horizon as a guide.

I always shoot in RAW format, but the stitching will of course work with JPG input frames. It’s best to use a camera / lens supported by Lightroom so that you can correct lens distortions. If you don’t, the distortions can build up across the stitched images and look especially bad when there are straight lines in the scene.

Initial Adjustments in Lightroom:

I load the images into Lightroom and adjust them all identically. I aim for a neutral, low contrast setting across all images. I enable distortion correction and usually turn off sharpening / noise reduction (and deal with them in later steps).

Be conservative with the highlights – I’ve found that stitch software may blow out parts of the image when attempting to blend between frames. I’ll dial down highlights if I have any concern. If I didn’t use manual exposure, I may also try to match white and black points in all the histograms.

The seven source images in Lightroom after the initial adjustments

Photoshop stitching and processing:

Once I’ve got the frames adjusted in Lightroom, I open them as layers in Photoshop. This allows me to try different auto align algorithms (under the Edit / Auto-Align menu), undo them, and try again if there are issues. For the wide-angle shots I usually make, the cylindrical alignment method seems to work best. I check the result at 100%. Sometimes the software doesn’t line up the most important parts of the image perfectly and I’ll use the move tool to make small adjustments.

Seven source images opened as layers in Photoshop and auto aligned.

Next I’ll do the blending (Edit / Auto-Blend). Then I look for variations across the image (most often in smooth sky). You can see the leftmost frame above is a bit darker. If the auto blend hasn’t worked well enough, I’ll undo it and tweak the levels or curves in each layer and then re-blend.

Once I’m happy with the blend, I’ll flatten the layers, and then rotate and crop the image. I don’t do final cropping at this point – I save that for the later in Lightroom. It’s OK to leave a bit of white around the edges. In CS6, content aware fill can fix those for you. If you do use Content Aware Fill, review those areas at 100% for flaws. You might need to touch them up with the clone tool. This is also the time to do any other cloning the image needs.

In Photoshop after auto blend, merge layers and initial crop / straighten

Now do your noise reduction on a new layer. I use Topaz DeNoise 5, but other software works well too. I just like the user interface in this plug-in. Check the result at 100% again and decide whether to apply it to the whole image or selectively. Most of the time I add a layer mask to the noise layer and apply it to the sky and / or smoother parts of the image only. This preserves detail where the noise isn’t obvious (ground, trees, etc.).

Final Photoshop edit after content aware fill, noise reduction on the sky and a dose of Topaz Clarity

I’ll then merge the layers (shift-alt-command-E) and play around with various filters (Nik Color Effects Pro or HDR Efx, Topaz Clarity, etc.) to get to something close to what I want. Then I return to Lightroom.

Final Lightroom tweaks:

Final steps in Lightroom are sharpening, any tweaks to white balance, exposure, white and black points, cropping, etc.

Output in Lightroom after final adjustments (White Balance, exposure, sharpening, cropping, etc)

Conclusions

This workflow takes time. Is every scene worth all this? Nope – I only go through it if I think the final image will be worth it. Even so, sometimes I’ll start the process and stop when I realize that the composition didn’t turn out. You’ll have to decide whether it’s worth the time and effort to you.

I hope I’ve given you some insight. Try it yourself and please let me know how it turns out. Even if you don’t go through the whole thing, some of the info might be useful. I’d be happy to answer your questions. The best place to ask them is in the comments for this post so they’ll help others.

Thanks for stopping by and reading my blog. Now – go make some really big photos!

Return to Shingle Creek

July 13, 2013Cameras and Photography, INSIDE FLORIDA, Kayaking, Kissimmee, Shingle Creek, Techniqueblack and white, Cypress, kayak, landscape, reflection, treeEd Rosack

Mary and I took our kayaks to Shingle Creek last week. I wanted to post a few photos to show you again how pretty this area can be.

Winds are usually calm early in the morning – leading to scenes like this.

It was a calm morning, but the current was strong – probably because of all the rain we’ve had recently. Shingle Creek gets narrow in spots. If you go kayaking, watch for it and turn around before I did so it doesn’t knock you up against the cypress tree knees!

The reflections weren’t as pristine after Mary paddled through them – but the sunbeams made up for it.

I’m still building my kayaking skills and I’m not yet confident enough to take non-waterproof gear out with me. I made the top two photos using a GoPro camera mounted on the bow of the kayak. I set it to make a shot every few seconds and compose by positioning / pointing the kayak and selecting from the results. It’s a bit hit or miss, but I usually manage to get some I like.

The GoPro is super small, comes with a waterproof case and has a fixed, very wide-angle lens. I like all its built-in capability but it does have a couple of limitations. There’s no viewfinder, although there’s a model with wi-fi and an iPhone app that lets you control it and see the output. I don’t use my iPhone on the kayak, since I don’t want to drop it in the water either. Also, like most small sensor cameras, the dynamic range is limited (compared to larger sensors and shooting in RAW format) – so highlights have a tendency to overexpose. But if you work within its capabilities you can capture great images. You can also try the old Black and White trick to hide any blown highlights.

Shingle Creek is wonderfully scenic. There’s not as much wildlife as we see at other sites, but there are plenty of birds, turtles, fish, and I’ve heard reports of alligators and otters. If you want to see more, there are other Shingle Creek photos in this set, and kayaking photos in this set on Flickr,

Thanks for stopping by and reading my blog. Now – go make some photos!

Melbourne Beach Turtle Walk

June 25, 2013INSIDE FLORIDA, Melbourne Beach, Must do list, Techniquebeach, loggerhead turtle, moon, nest, night, sea turtle, turtleEd Rosack

I didn’t put much effort into this photo of last Saturday’s super moon – so the result isn’t that exciting.

Super moon over Melbourne Beach – The full moon and sparse clouds helped get our shutter speeds up just a little during the turtle walk.

What did excite me was what the super moon illuminated. Kevin M. and I attended a turtle walk led by the Sea Turtle Preservation Society in Melbourne Beach, Florida – what an incredibly awesome experience! NOTE: this was an FWC Permitted activity that should not be attempted personally.

Loggerhead sea turtles are endangered in the US and many other countries. They seem to be making a comeback recently since “turtle excluder devices” were required on fishing nets starting in the late 1980s. They’re found over most of the world, although the east coast of Florida is a prime nesting area. Nesting season peaks here June and July. Last year, Florida recorded 58,000 nests with many of them in Brevard County.

I’ve spotted sea turtles off shore on the surface before, but until Saturday I’d never seen one on the beach. Since they’re endangered, it’s illegal to approach or harass them in any way. But there is a way to see them up close on shore. The Sea Turtle Preservation Society has a Florida State permit to conduct Turtle Walks for the public several nights a week during nesting season at three different locations in South Brevard County. They give a presentation with lots of good background on sea turtles. During the presentation, people from the organization scout the beach looking for a nesting Loggerhead. When they find one, they lead the group out to observe.

Loggerhead sea turtle laying eggs – The guides keep everyone behind the turtle where she can’t see them and put a small red light in the nest to illuminate the eggs.

There are some rules for the walk:

Stay with and obey the guides. They’ll lead you to the nest along the water line after she starts laying eggs.
No lights at all are allowed, including cell phones and especially flash photography.
No noise.
Everyone is kept behind the turtle out of her line of sight.
When she’s done, the guides will move the group to one side away from her path back to the ocean.
Stay off the outgoing turtle tracks. Researchers use them the next morning to count nests.
If you go, check with your group for their rules. They may be different.

This is very tough photography assignment. In fact it’s much more of a Central Florida Nature Op than a Central Florida Photo Op. But if you want to try to make some photos, here are some hints:

The group we went with says they see turtles on 90% of their walks. I’m not sure what it’s like with other groups. You might want to ask before you go.
Check with the leaders of the group you’re going with about photography. Rules seem to vary and some groups don’t allow any photography at all.
Schedule your walk to take advantage of conditions. The beach is very dark. Hotels and homes in the area are even required to keep their lights off during nesting season. You’ll have a bit more light if you go during a full moon and when there’s minimum cloud cover. Also, The turtles seem to prefer coming ashore at high tide. Our walk was just after. We were also fortunate to have a 10 mph east wind that kept us very comfortable and insect free. I wasn’t even sweating at the end of the walk – and this is Florida – in late June! But if the wind is too strong, you’ll have to watch out for tripod vibrations.
Other than the small flashlight in the photo above, all the other photos in this post were made with just ambient light well after sunset. You’ll need a tripod and fast lens.
Be careful with your tripod. The group was pretty large the night we went and I worried about hitting or tripping someone in the dark (I didn’t).
Bring a fast lens. Kevin and I both used 50mm f/1.8 lenses and shot with them wide open. This was a pretty good focal length for the subject distances.
The moon was very bright – I shot at ISO 800, f/1.8 and my shutter speed varied around 1 second. If you go at another time of the month, your shutter speeds may be even slower.
Your tripod will help stop camera motion, but you’ll need to time your shots to minimize turtle motion.
The crowd was pretty large and I had to maneuver to get a clear view with my camera. Be courteous.
Make sure you can work your camera controls in the dark. You need to know how to at least change to manual focus and adjust the ISO without a flashlight.
Turn off your auto focus assist light and auto photo review – no lights, remember?
Auto focus was very difficult. The only time it worked at all was on the guide’s red flashlight in the nest. The rest of the time, I used manual focus and guessed since it was so dark. You’ll need to take your chances and hope for some sharp shots. Since it was so dim, I found the optical view finder on my Nikon easier to use than the EVF on my Olympus. Your mileage may vary.
Depth of field will be very shallow. Try to focus on the middle distance of your subject and if possible compose with the long axis of your subject parallel to the camera.
Surprisingly, shadows can be an issue. There were times when people blocked the moon and shadows on the turtle were pretty dark. Move around to find a better point of view.

Turtle walk crowd

When she’s done laying her eggs, she buries them and disguises the nest.

Loggerhead sea turtle covering nest

And then heads back out to sea.

The Epic Journey Continues – Loggerhead Turtle returning to the ocean. Photo by Kevin McKinney (used with permission).

As you can probably tell from my write-up, I really enjoyed this outing. It was wonderful to witness a natural event that’s been on going for 165 million years. A big shout out and thank you to Kevin’s wife Traci. She’s the one that recommended we go on the turtle walk. And thanks to Kevin for scheduling it on the perfect night.

If you want to know more, here’s a couple of links to recent sea turtle news:

~~http://www.floridatoday.com/article/20130624/NEWS01/130624007~~ (sorry – no longer available)

~~http://www.orlandosentinel.com/news/os-loggerhead-turtles-thriving-20130623,0,6384714.story~~ (sorry – no longer available)

As usual, you can see a few other photos from the trip in my set on Flickr, and in Kevin’s set.

Thanks for stopping by and reading my blog. Now – go witness some nature, and (if you can) make some photos!

Florida Waterfalls?

June 15, 2013Falling Waters, INSIDE FLORIDA, Rainbow Springs, TechniquewaterfallEd Rosack

So you’re in Florida and you want to make some waterfall photos. I hope you’ve got other plans too – because waterfalls are a tough assignment in the sunshine state. We have plenty of water (well, most of the time), but we’re one of the flattest states in the US – so we tend to come up short on the “falls” part. You can photograph waterfalls here – not the grand vista kind you’d see in other places like Yosemite or Alaska – but still scenic and worthwhile.

Yosemite National Park, California: Bridalveil Falls through blooming Pacific dogwood tree. Sorry, not in Florida.

Where in Florida can you photograph waterfalls? If you look at the Wikipedia article on waterfalls of the world, you’ll see that the Florida section lists just one: Falling Waters State Park is in Chipley just south of I-10 in the Florida panhandle.

Falling Waters State Park sinkhole – When it’s a waterfall, this is Florida’s tallest one. If the stream at the top is flowing, it falls 73 feet down into this 100 foot deep, 20 foot wide sinkhole and disappears into the Florida aquifer.

This park has some unique geology. Sinkholes line the boardwalk and you can descend part way into the main one pictured above. When the small creek that feeds the falls is flowing during the wet season, the waterfall can be quite impressive. It wasn’t on the day I visited :-(. Check with the park before you go – you can reach them at 850-638-6130.

If you do some Googling, you’ll find a couple other Florida waterfalls mentioned. Falling Creek falls is a small (~5 foot) waterfall in north Florida near the intersection of US 41 and I-75. Devil’s Millhopper Geological State Park is near Gainesville. Similar to Falling Waters, it’s a bowl-shaped sinkhole over 120 feet deep and 500 foot across. You can follow a trail and see streams falling into the sink and the resulting small waterfalls. You can also descend into this sinkhole to view the inside. The tiny waterfalls here trickle down the embankment before they too disappear into the Florida Aquifer.

Rainbow Springs State Park is the home of Florida’s 4th largest spring. It was a privately owned commercial attraction up until the 1970s. It’s now a state park and in addition to the spring, has some very pretty gardens and several man-made waterfalls fed by water pumped from the spring.

Waterfall at Rainbow Springs State Park, Dunnellon, Florida

Rainbow Springs is a very pretty place. The Rainbow River is one of the clearest waters anywhere. The falls too are pretty. The morning I was there, only one had any water flow at first. Before I left, they’d turned on the others and I was able to photograph them too.

There are also other man-made waterfalls you can photograph. These are too many to list, but here’s one example from the Gaylord Palms hotel in Orlando:

Gaylord Palms Resort, Orlando, Florida – A waterfall in the Everglades portion of the Atrium

To close out this post, here are a few hints on waterfall photography:

If you want to show the water motion as a silky smooth stream, you’ll need to use a slow shutter speed. This depends to some extent on how fast the water is moving, but a good starting point might be 1/2 second or so. Experiment with different shutter speed settings to see which ones you like best.
You’ll need a tripod for slow shutter speeds, so bring yours.
If you have too much light to get the slow shutter speed you want, try using a polarizing filter or a neutral density filter.
The polarizing filter will also help reduce reflections on vegetation and the water’s surface
Be careful with your exposure. It’s easy to over expose the water since there’s often a large contrast range between it and the surrounding area. Make sure to check your histogram and think about bracketing your exposure.

Do you have any other waterfall photography hints to share? Do you know of any other Florida waterfall locations? If so, please let me and others know in the comments.

I have a couple more photos from Falling Waters in this set on Flickr. You can see photos of the other Rainbow Springs waterfalls in this set. And finally, this one has some of my other waterfall photos.

Thanks for stopping by and reading my blog. Now – go make some photos!
©2013, Ed Rosack. All rights reserved

Long exposure at Lake Eola

January 20, 2013Downtown Orlando, INSIDE FLORIDA, Lake Eola, Orlando, Techniquebuilding, cloud, Cypress, landscape, long exposure, sunset, treeEd Rosack

Deborah Sandidge and Jason Odell led a sunset photo walk around Lake Eola in downtown Orland on Friday evening. I’ve followed their work online and wanted to meet them, so I signed up. Conditions weren’t the best for sunset photography, but I still had a good time. I used a neutral density filter to make several long exposure photos and I thought I’d walk you through my process. First of all, here’s the final version:

Lake Eola – Orlando, Florida. Long exposure, cloudy, sunset. You can click on this image to see a larger version on Flickr.

And here’s the initial version of this photo:

f/8, 25 seconds; after initial adjustments in Lightroom.

Here are the steps I went through to get to the final version: First, I corrected the distortion to make the buildings vertical in Lightroom. Then I edited it in Photoshop. I used content aware fill to finish the vertical distortion fix, then added a layer and masked out noise from darker areas. Finally, I ran the single image through Nik HDR Efex Pro 2 to enhance color, contrast and details. Back in Light room again, I finalized exposure, contrast and white balance and applied sharpening and a small amount of vignette. I like how it came out.
For comparison purposes, here’s a 1/20 second exposure of the same scene.

f/8, 1/20th second; Same initial adjustments as the version above.

Looking at the long exposure version, the main differences I see are: the smooth sheen on the water surface, the much more prominent tree shadow in the lower right, and the radial motion blurring in the clouds. The tree shadow surprised me the most. In the short exposure version, the water ripples break up the shadow. They don’t in the long exposure version, which makes the shadow much more interesting.

There are lot of upsides to long exposure photography and a few downsides. For instance, since the wind was blowing so hard on Friday, some of the smaller tree branches are a little blurry. Also, when you use very dense neutral density filters, your camera probably won’t auto expose or auto focus correctly, so you’ll have to take care of those things on your own. And some of these filters can also add a color cast to your photos, so you may need to be careful with your color balance. But all in all, it’s a great technique to have in your bag of tricks. Have you tried it yet? Why not?

You can see more photos from Lake Eola in this set on Flickr.

Thanks for stopping by and reading my blog. Now – go make some photos!

Photographic Perseverance, Providence, and Perspicacity

January 6, 2013INSIDE FLORIDA, Merritt Island NWR, TechniqueBelted Kingfisher, bridge, building, cloud, Common Loon, landscape, Space View ParkEd Rosack

The scene below is not the one I thought I would photograph when we returned to Space View Park in Titusville, Florida last week.

Looking north at the Max Brewer Causeway before dawn – This condo is right at the entrance to the Merritt Island National Wildlife Refuge. I’d love to wake up there every morning!

You may remember this post from a few weeks ago. That was a very foggy day and there were no real sunrise photo opportunities. I wasn’t too happy with the landscape photos I made on that trip and wanted to try again. This time, when we arrived before dawn, the first thing I noticed was the lighting on the Max Brewer Causeway leading to Merritt Island National Wildlife Refuge. When I walked over to get a better look and perhaps make a photo, the reflection of the building in the water caught my eye. I like how this turned out.

This photo illustrates why paying attention to the photographic application of three words could result in more photo ops for you:

Perseverance: Continued effort to do or achieve something despite difficulties, failure, or opposition; Keep trying until you can fulfill your vision; Circumstances change and you may not get the photo you want on your first try (or your second …). This was our second visit to Space View Park recently. I still haven’t gotten a sunrise photo I’m truly happy with at this place. I guess I’ll have to go back again!
Providence: Having foresight; care or preparation in advance; Try to anticipate conditions so you’re ready to take advantage of them. Have the right equipment with you and know how to use it. I had my tripod, cable release, and wide-angle lens ready for this shot.
Perspicacity: The capacity to assess situations or circumstances shrewdly and to draw sound conclusions; Be able to react when the situation you anticipated isn’t what happens. Have an open mind and look for images that you didn’t consider in your planning. I didn’t just concentrate on the sunrise to the east. I also looked around for other photogenic scenes.

After sunrise we also saw a common loon fishing very close to the docks.

Common Loon

Later on, we came across a couple of Belted Kingfishers that were more cooperative than usual.

Belted Kingfisher lady poses – These usually fly away from me as soon as I point a lens at them. This one was lazy or tired and sat still for a portrait.

Another fine day with a camera on Merritt Island!

If you think about the three words above, maybe they’ll help you come away with some photos you wouldn’t other wise get. Thanks for stopping by and reading my blog. Now – go make some photos!

Dealing with poor weather – Circle B Bar Reserve, 10-6-12

October 7, 2012Circle B Bar Reserve, INSIDE FLORIDA, Techniquebirds, Flowers, fog, infrared, landscape, limpkin, mist, people, Spider, sunrise, wildlifeEd Rosack

The Photography Interest Group decided to organize an expedition to the Circle B Bar Reserve in Lakeland, Florida yesterday. It’s about an hour and twenty-minute drive for us and since we wanted to try a new place a bit further out for sunrise, Frank, Kevin M., Lutfi, and I met at 5:30 to carpool over. Talk about getting out of bed at “O-dark thirty”! But I was excited, since I haven’t been to the Circle B Bar since last November – way too long to stay away from such a beautiful place.

It was getting foggy as we approached the parking area, but I wasn’t too worried – sometimes fog can add to a scene. We arrived in plenty of time, and walked out to Wading Bird Way (see this link for a .pdf map of the Circle B Bar trails). The closer we got, the foggier it became – and it looked like this right at dawn.

Frank, Lutfi, and Kevin M. in the fog at the Circle B Bar Reserve

To make a long story short – the fog was dense and dawn brought no color at all to the sky. There was no sunrise. We didn’t even see the sun until about an hour and a half later. Regular readers will know that I really like landscape photography and around dawn and dusk are the best times to photograph. With yesterday’s conditions, it just wasn’t meant to be. So what should you do in a situation like this?

First, enjoy the walk. Being out in nature is a wonderful experience and doesn’t have to include photography.

From a photographic perspective, what else can you do? For landscapes, try infrared – it can help cut though the fog, especially if you can include some foreground elements.

Foggy lake

If you can get close, fog and mist can be a great background to isolate your subject.

Posing Limpkin

And focus on details. Find some smaller things that you can zoom in on. Look for subjects enhanced by the mist.

Spider and misty web

Yes, not every photo expedition goes as planned. Yesterday’s sunrise was disappointing (non-existent?). But we saw and photographed many things: birds (Sand Hill Cranes, Egrets, Herons, Ibis, Osprey, Whistling Ducks, Hawks, Coots, Moorhens, a Purple Gallinule, Woodpeckers, and others), alligators, dragonflies, spiders, butterflies, and flowers while we were there. All in all, a great day. You can see more photos from the Circle B Bar in this set on Flickr, and check out Frank‘s, Kevin M.‘s, and Lutfi‘s too.

What do you do in situations like this? I’d love to hear your suggestions. Send me an email or add a comment to the blog.

Thanks for stopping by and reading my blog. Now – go make some photos!

Moody dawn at Orlando Wetlands

August 26, 2012INSIDE FLORIDA, Orlando Wetlands, Techniquelandscape, sunriseEd Rosack

I got up early and went to Orlando Wetlands Park last Friday. This time I walked west from the parking area along the berm parallel to Wheeler road.

Even when the sunrise isn’t very colorful, it’s still nice to get out and see it. It’s also more of a challenge to photograph.

Swampy sunrise

This stand of dead trees in cell 2 drew my attention. They looked spooky, and I used the infrared camera to help bring this out.

Haunted Marsh at dawn

You can see more photos of Orlando Wetlands in this set on Flickr.

Note to email subscribers: I’ve had trouble with the widget that emails blog entries as they’re posted. I’m debugging it, but in the mean time you may have missed a post or two. Please visit the blog to catch up.

Note to all readers: My main computer is suffering and I’m taking it in for service. So my photo processing and blog entries will impaired for a bit. Thanks for your patience.

Thanks for stopping by and reading my blog. Now – go make some photos!

Cocoa Sunrise

August 19, 2012Cocoa, Cocoa Beach Pier, INSIDE FLORIDA, Techniquebeach, landscape, people, pier, sunriseEd Rosack

Keith H. wanted to try out his 10 stop neutral density filter, so we rode over to Cocoa Beach to make some sunrise photos. It was very clear when we left around 5:30 am, but by the time we parked next to the pier, a few clouds had appeared to make the sunrise more interesting.

Atlantic sunrise.

A neutral density (ND) filter reduces the amount of light entering your camera. This gives you greater flexibility to adjust aperture and exposure. They’re often used to show motion blur with a slow shutter speed, or reduce the depth of field with a wide aperture. Ideally, ND filters are color neutral – although both Keith and I noticed some color shifts with ours. I was using two stacked 3 stop NDs and this set up worked pretty well to slow the shutter speed and blur the water, especially before sunrise. Keith’s 10 stop was a bit too much before dawn, but would be great after sun rise. Overall, we spent an hour or so working the scene and both came away with photos we like.

A bird flies above a couple making a photograph by a woman walking through the sun.

You can see more photos of Cocoa Beach in this set on Flickr.

Thanks for stopping by and reading my blog. Now – go make some photos!

Weekend with Wilson

August 12, 2012INSIDE FLORIDA, Merritt Island NWR, Techniquebirds, boat, BPWD, fishing, landscape, people, pier, sunriseEd Rosack

I stopped by C. S. Lee Park on SR 46 in Geneva yesterday morning with Kevin, Kevin and Lutfi to photograph the sunrise. There weren’t a lot of clouds but it was still pretty – and some obliging fishermen were kind enough to point their wake into the scene for us.

Hurry, the fish are biting! C. S. Lee Park, Geneva, Florida

We were on our way over to the Merritt Island National Wildlife Refuge. Kevin M. uses the Audubon Birds of North America app, which has links to bird sightings on eBird. With this, you can search for nearby birds, activity at birding hotspots, and even see reports of recent notable and rare bird sightings. Using the app, he discovered that Wilson’s Pharalopes were on Bio-lab road last week, so we decided to try to spot them.

The Wilson’s Phalarope (Phalaropus tricolor) is a small wading bird and the largest of the phalaropes. Normally it breeds on the North American prairies and in the western US. It is migratory, but according to iBird, isn’t often found in Florida, so this was a rare chance to see it.

Wilson’s Phalarope pair. Bio-lab Road, Merritt Island National Wildlife Refuge.

It was fun to see another Wilson bird yesterday: the Wilson’s Plover . These are also waders and breed on both US coasts from the equator northwards. Its common range does include Florida.

Wilson’s Plover. Bio-lab Road, Merritt Island National Wildlife Refuge.

I’d seen a Wilson’s Snipe before and now with these sightings I started wondering who this Wilson fellow was. Alexander Wilson was a Scottish-American poet, ornithologist, naturalist, and illustrator. He’s regarded as the greatest American ornithologist prior to Audubon. Several birds are named after him, including the three I already mentioned and the Wilson’s Storm-petrel, and Wilson’s Warbler. The warbler genus Wilsonia was also named for him. In 1802 Wilson decided to publish a book illustrating all the North American birds. The result was the nine-volume American Ornithology, with 268 species of birds, 26 of which hadn’t been described.

On our trip, we also saw Alligators, Belted Kingfishers, Green Herons, Roseate Spoonbills, Great Blue Herons, Great Egrets, Snowy Egrets, White Ibis, and many kinds of gulls and shore birds on Bio-lab Road. We drove through Black Point Wildlife Drive too, but there wasn’t as much going on there.

So this trip provided an incentive to clear out some of my birding ignorance and now I know a bit about another great American ornithologist. You can see more MINWR photos here and here, and birds photos here and here. And I have a some more Florida landscape / sunrise photos here.

Thanks for stopping by and reading my blog. Now – go make some photos!

Central Florida Photo Ops

What and where they are and how to photograph them.

Category Archives: Technique

A Panorama Workflow Example

Intro

Capture:

Initial Adjustments in Lightroom:

Photoshop stitching and processing:

Final Lightroom tweaks:

Conclusions

Return to Shingle Creek

Melbourne Beach Turtle Walk

Florida Waterfalls?

Dealing with poor weather – Circle B Bar Reserve, 10-6-12

Moody dawn at Orlando Wetlands

Cocoa Sunrise

Weekend with Wilson