Last week I mentioned that we spent time photographing Amicalola Falls during the Focus on Atlanta Workshop. I was also there in 2014 and when I got home, I was curious to compare images from the two visits. That led to some observations and questions.
This first photo is from 2014. I reprocessed it, mainly to correct some blown highlights in the water. First observation: Blown highlights bother me a lot more today than they did back then.
I made this from the foot bridge near the top of the falls. Second observation: It’s quite a hike, especially with a load of heavy camera gear. But it’s well worth it for the wonderful view! With a wide enough lens, you can try to show the grand scale and sweeping power of the falls.
Amicalola Falls – The grand view from the footbridge near the top. Nikon D800, ISO 50, 16mm, f/22 @ 1/3 sec.
I really like this photo, and I’m glad I made it. Third observation: Four years later, I think that it was a bit too easy. Probably everyone that visits these falls will try for an image that looks like this.
The next three images are from 2018. I must have been anxious to get the grand view photo in 2014 and hiked right by these locations – I don’t recall noticing them. On this recent visit, Mike Boening pointed out several spots along the trail and I stopped at a few and set up for more intimate photos.
On the way back down, the last spot I stopped at was only a few yards from the parking area!
I like the grand view image I made in 2014, but I think I like these 2018 images even more. There are probably quite a few photos of Amicalola similar to my first one. I suspect that images like the second and third are much less common since the number of possible viewpoints and compositions is so much greater.
Sometimes, only one approach will work for a subject or your style of photography. On the drive up to the falls, we stopped at an overlook and I was fascinated by the fog / mist and low clouds moving through the valley. I was able to poke the small lens on my iPhone through the chain link fence to grab this frame. At the time, I didn’t think about an intimate detail type of composition there.
But that’s just me. I saw a photo later that showed Mike making an image of some graffiti on the road. Last observation: Graffiti isn’t something I normally photograph and I didn’t even pay attention to it at the time. Our usual photo styles can limit the potential images we see.
So what’s the moral of this story? Should we make grand scenic view images or intimate, up-close photos of the details? You know what I’m going to say , don’t you? “It depends”.
Actually, I’m going to say: It depends, but try hard to get both. You’ll grow as a photographer if you can teach your brain to see both ends of this spectrum. Shoot whichever you prefer first, but force yourself to look for the other compositions before you leave a spot.
Thanks for stopping by and reading my blog. Now – go make some grand, and some detailed photos!
©2014 and 2018, Ed Rosack. All rights reserved