When I wrote last Sunday’s blog post, I wasn’t aware that Black Point Wildlife Drive would be closed from Monday, Nov. 18 through Saturday, Nov. 23, 2019. Also – BioLab remains closed until damage from hurricane Dorian is repaired.
Hello faithful readers! This is the next entry in the blog category called “Postcards” where I occasionally post photos of Central Florida scenes – similar to a postcard.
I’m using the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license for these instead of “All rights reserved”, so you’re welcome to download these at full resolution for your personal use. Please visit this page to see details and restrictions that apply: https://creativecommons.org/licenses/by-nc-sa/4.0/.
It’s easy to find these using the “Places / Categories” pulldown menu over on the right side of the blog and selecting “Postcards”. If you’re viewing the site on a phone, you might not see that menu – if so, just type “postcards” into the search box.
I made this image at Merritt Island National Wildlife Refuge. There was a slight drizzle where I was standing, and rain drops ruined several of my frames. This one must have been right after I cleaned the lens. For more info, please see this post: https://edrosack.com/2015/10/17/photographing-florida-weather/
To download, just click the image to go to the source and then right-click to download it. I hope you like it!
Thanks for stopping by and reading my blog. Now – go make some photos!
This first photo is from 2014. I reprocessed it, mainly to correct some blown highlights in the water. First observation: Blown highlights bother me a lot more today than they did back then.
I made this from the foot bridge near the top of the falls. Second observation: It’s quite a hike, especially with a load of heavy camera gear. But it’s well worth it for the wonderful view! With a wide enough lens, you can try to show the grand scale and sweeping power of the falls.
Amicalola Falls – The grand view from the footbridge near the top. Nikon D800, ISO 50, 16mm, f/22 @ 1/3 sec.
I really like this photo, and I’m glad I made it. Third observation: Four years later, I think that it was a bit too easy. Probably everyone that visits these falls will try for an image that looks like this.
The next three images are from 2018. I must have been anxious to get the grand view photo in 2014 and hiked right by these locations – I don’t recall noticing them. On this recent visit, Mike Boening pointed out several spots along the trail and I stopped at a few and set up for more intimate photos.
Light in the creek. Olympus OM-D M II, Hi-res mode, ISO 200, 28mm eq., f/8 @ 1 sec.
On the way back down, the last spot I stopped at was only a few yards from the parking area!
Flow. Olympus OM-D M II, Hi-res mode, ISO 200, 40mm eq., f/8 @ 1.2 sec.
I like the grand view image I made in 2014, but I think I like these 2018 images even more. There are probably quite a few photos of Amicalola similar to my first one. I suspect that images like the second and third are much less common since the number of possible viewpoints and compositions is so much greater.
Sometimes, only one approach will work for a subject or your style of photography. On the drive up to the falls, we stopped at an overlook and I was fascinated by the fog / mist and low clouds moving through the valley. I was able to poke the small lens on my iPhone through the chain link fence to grab this frame. At the time, I didn’t think about an intimate detail type of composition there.
Foggy mountain view
But that’s just me. I saw a photo later that showed Mike making an image of some graffiti on the road. Last observation: Graffiti isn’t something I normally photograph and I didn’t even pay attention to it at the time. Our usual photo styles can limit the potential images we see.
So what’s the moral of this story? Should we make grand scenic view images or intimate, up-close photos of the details? You know what I’m going to say , don’t you? “It depends”.
Actually, I’m going to say: It depends, but try hard to get both. You’ll grow as a photographer if you can teach your brain to see both ends of this spectrum. Shoot whichever you prefer first, but force yourself to look for the other compositions before you leave a spot.