Tag Archives: black and white

Sometimes you take the photo, and sometimes the photo takes you

August 20, 2008Cameras and Photography, OUTSIDE FLORIDA, Technique, Wisconsinblack and white, Cow, skull, travel, vacationEd Rosack

This is the story of a photograph that I made a couple of weeks ago when we were in Wisconsin at the Shalom Wildlife Sanctuary, and how I eventually made a print that I was happy with. Along the way, Lynn laughed at me for taking so much time to print a single photo and my photo friends gave me all sorts of suggestions on techniques to make this come out right (some of which I even used – thanks, Keith).

I knew when I saw this scene that there was a photo here. The lighting conditions were overcast and gloomy – exactly right for the kind of image I wanted, but this made capturing the photo a little difficult. And, it turns out – made printing the photo even more difficult.

I had my Canon G9 with me and used the built in flash in fill mode. I had visions of a 13×19 inch print, so I kept it in ISO 80 and saved it in RAW (like I always do). The skull on the ground looked like good foreground material, so I cranked the lens to the most wide angle setting and got up close to make this exposure (this is straight out of the camera, with no re-touching other than conversion from raw in Lightroom 2)(click on this image for a larger version).

Original photo - straight out of the camera

This is an interesting scene, I really liked the concept of this photograph, but the initial image left a lot still in my imagination. The sky is washed out, the skulls on the pole are way too dark, and the foreground skull is too bright. Also, the grass in the foreground is too bright and distracting (among other things).

I tried various methods over several days to make it work using mostly Lightroom2 and some Photoshop tools. Lightroom2 has some very nice new local adjustment tools which I played around with along with the usual curves, etc. to darken the sky and lighten the pole skulls. I also used the black and white conversion tools in Lightroom2 and generated the version of the photo that is posted in my previous blog entry. This was a lot better than the initial photo, but I thought it could be better. Here’s where Keith comes in. “Why not run it through Photomatix?” he said. “Why didn’t I think of that?” I said. And so …

Here are the steps I went through over several days (some of the steps multiple times – it’s a good thing Lightroom is a non-destructive editor)

1. Basic exposure, clarity, curves, etc. adjustments
2. Create 3 virtual copies of the image – one for the sky, one for the skulls on the pole, and one for the foreground. Adjust each one separately: First adjust the exposure and then convert to Black & White to highlight the appropriate features. Export these as 16 bit .tiff files.
3. Use Photomatix Pro 3.0 to create a combined HDR of the 3 B&W .tiffs, then tone map the HDR file and save.
4. Load the tone mapped file into Photoshop. Clone as needed from the appropriate B&W conversion file to highlight the skulls on the poles. Clone out a portion of the horn on the foreground skull. Crop to the final dimensions. Adjust levels, sharpen for output.

Here is the final image (click for a larger version):

If you want more details on the steps I went through, I’ve posted the intermediate photos for each step at this link .

It is quite a bit different from the original, and it looks pretty good enlarged to 13″x19″ (especially for a point and shoot camera). So I think it was worth the extra effort. What do you think?

We take a day trip through rural Wisconsin, after our son's wedding

August 10, 2008OUTSIDE FLORIDA, Wisconsinblack and white, Cow, lighthouse, skull, travel, vacation, wildlifeEd Rosack

We stayed an extra day and a half after Sara and Mike’s wedding to make sure everyone got back to the airport OK and all the tuxedos got returned, etc.

We also wanted some time to ourselves to relax a little bit. The weather on Monday was a bit sporty, so we didn’t want to spend all day outside at the Wisconsin state fair. Lynn did a little research on the web and located a wildlife sanctuary about 50 miles north of where we were staying, so we decided to drive up there and take a look. We wanted to see a little bit more of Wisconsin and ended up taking mostly back roads on the way up. It was a very pleasant drive (until we ran into some construction – but we routed around that easily enough). One place we went through was Port Washington, on the coast of Lake Michigan. It is a scenic little town, although they seem to have been hit pretty hard by the slow economy. This first picture is their lighthouse, built in 1860.

The Shalom Wildlife Sanctuary in West Bend Wisconsin was our main destination for the day. They have elk, bison, big horn sheep, several variety of deer, wild turkey, and other animals. You can drive through the property in a golf cart and if you’re quiet and the animals cooperate, you can see quite a few of them. The day we were there it was very overcast and in fact started to rain fairly hard by the end of our visit. Photography was quite a challenge due to the low illumination. I was traveling light with just my Canon G9, which is not a good low light camera, so my photos of the bison, are a bit blurry. Oh well – there’s always next time.

I do like this photo of a native American animal skull display. I’m thinking about making a large print for my office at work. I’m hoping it will warn my enemies to stay away. The rest of my photos from this trip are at https://edrosack.com/Port-Washington

Total Eclipse of the Moon

February 23, 2008Cameras and Photography, INSIDE FLORIDA, Techniqueastronomy, black and white, moonEd Rosack

I hope you were able to see the lunar eclipse last Wednesday. It was quite a show in Central Florida.

I used my Nikon D80 with a 70 – 300 VR zoom on a tripod in the driveway to make these photos.

It was quite cloudy at the beginning, but fortunately turned perfectly clear during totality. This first photo was made early as the earth’s shadow started to move across the moon.

The three photos posted here are all croped versions of larger files. 300mm is not quite enough lens to get full frame magnification. I had thought about trying to make some photos through my telescope, but I don’t have a camera adapter for it and didn’t want to try to hand hold an exposure. I used the spot meter mode in the camera and bracketed +/- one stop. The one stop underexposure was the best choice (as you might guess), since the meter coverage is a bit larger than the moon was in the sensor. I used both ISO 100 and 400. During totality, ISO 400 helped to reduce the exposure time and improved sharpness. I also played with turning the lens Vibration Reduction on and off , but I couldn’t see any difference in the results – which is good. I’ve noticed that the image stabilization in my Canon G9 will actually make a photo worse if left on when the camera is on a tripod.

The next photo was made during totality.

Finally, the last photo was made using a wider angle setting to also capture Saturn (lower left) and Regulus (above), which were especially impressive.

I have posted a few more of my eclipse photos
here.

Dulles Air and Space Museum

February 10, 2008OUTSIDE FLORIDA, Washington D.C.Aviation, black and white, museum, National Air and Space, Smithsonian, sunset, travel, Wright brothersEd Rosack

If you ever travel through Dulles International, it is well worth scheduling yourself in early or out late so you can take a short side trip. The Steven F. Udvar-Hazy Center annex of the National Air and Space Museum is located a few minutes south of the airport. You can take a shuttle to and from the airport, or follow Highway 28 (the first exit as you leave the airport) south until you see the sign. It only takes 10 – 15 minutes to get there from the airport. Entrance to the museum is free, but parking is $12, so take a few friends (all in one car).

The Smithsonian needed additional space to display items that they don’t have room for at the downtown Washington, D.C. location. This is very good news for traveling photographers. For a small investment of time (2 – 3 hours) you can see a lot of aviation and space history. They have Wright Brother flyers (click on the photo above for a larger version), an SR-71, a Concorde, the Space Shuttle Enterprise, The Virgin Atlantic GlobalFlyer and much more. Some of these items are beautiful, and all are historic.

Equipment: I took my Canon G9, which did very well. You’ll mostly want a wide angle lens for the interior shots – these things are big and you can get close to most of them. The light is pretty dim, so use a fast lens and plan on at least bracing your camera for longer exposures as I did. Flash won’t be too effective due to the distance involved.

The rest of my photos for this post are here.

On a side note, after you get to your hotel, keep looking for photographs. I made this one out of my hotel window.

Before and After

June 30, 2007Cameras and Photography, INSIDE FLORIDA, Ocala, Techniqueblack and white, landscape, treeEd Rosack

I listen to the Digital Story podcast . The June 2007 photo assignment is “Before and After”. The idea is to submit two images showing how you “developed” the final photo.

I also just bought the book Examples, The Making of 40 Photographs , by Ansel Adams. He writes about how he re-visited his negatives over the years and was able to make better prints with additional effort / technique.

So these two things inspired me to go back to a photo I took in March, reprocess it and submit it to the Digital Story. Here are the steps I went through:

This view looked interesting from the road, and I talked Lynn into stopping (_DSC1423: 3872 x 2592 Pixels)

The first photo is the scene as I saw it from the road. Lynn and I were driving to an auction up in Ocala Florida and this looked like it could make a good image. It was a bit cluttered, and the composition wasn’t good, so …

I took this shot after stepping inside the gate. A little under exposed, no detail in the clouds and the road into the trees goes dark. (_DSC1425: 3872 x 2592 Pixels)

The second photo was taken after I stepped inside the gate. Better composition, I think. This is how it appears with no adjustments after importing it into Lightroom . I had underexposed it a bit so that the clouds would show up well. As a result, the road into the trees was pretty dark (and there still wasn’t enough detail in the clouds). I played around with it in the Develop module, but still couldn’t get the exposure quite right. So …

I exported two images from Lightroom. One at +2 exposure and the other at 0. This is the result after processing in Photmatix. (_DSC1425d-_+: 3872 x 2592 Pixels)

Photo 3 shows the result after I exported two 16 bit TIFF versions of the image from Lightroom and combined them. One with an exposure bias of +2 and a second with it set at 0. Then I used Photomatix to create a High Dynamic Range / tone mapped version. Much better exposure and detail both in the clouds and trees. This was pretty good, but I still wasn’t happy …

I loaded #3 into Photoshop Elements, cloned out the distractions (lights, signs, houses, rags, fire hydrant, wires) and then re-imported it into Lightroom …

I loaded the previous image into Photoshop and cloned out distracting features (powerlines, etc) then imported the result back into Lightroom. This is the final version after converting to B&W. (_DSC1425-_+cloned8bit: 3872 x 2592 Pixels)

Photo 4 shows the final result after using Lightroom’s wonderful B&W conversion tool. You can play around with different color channels to emphasize different things in the picture. It’s like being able to use color filters over your lens after you’ve taken the picture! I think the final result is much better than the original.

Here’s a link to my gallery with all of the images in sequence.

You can see all of the entries in the Digital Story June photo assignment here .

Central Florida Photo Ops

What and where they are and how to photograph them.